Eva Bianco

In the late 1980s, journalist José de Zer seeks proof of alien life in Argentina — even if he has to fake evidence — causing a surreal media circus.

Year 1866. Venancio, a young gaucho, embarks on a journey to escape from a curse through a war-torn region desperately seeking salvation among rustlers, priests, shamans and deserters. The stronger his fear is, the more real the legend becomes.

The hypocrites tells the story of Nicolás, a young cameraman who works filming social events, but doesn’t feel fulfilled with his profession. In the middle of a high profile wedding, he accidentally records a compromising situation between the bride, Martina, and her brother, Esteban. Realising about what is in the tape, he sees the opportunity of leaving his tedious life behind through blackmailing the people involved. However, he does not know this secret could endanger his own life.

Three women travel to a distant place to do welfare work. They assist, listen, stay with the unprotected. An old hospital in ruins accommodates them. The imposed group life gets more complex as they start to know each other. The relationship with the others, the community, is also difficult. But, as days go by, they will start to melt into that human landscape surrounding them. To be part of the mystery of otherness.

Emma and her father spend a few days in an isolated collection of huts in the Argentinian mountains. It is here that they meet Elda, a solitary figure, who will guide them through the world of pagan beliefs and local legend.

Those who rebel against authority figures disobey. This film echoes “Cordobazo” — a popular rebellion in Cordoba against the Argentine military dictatorship in 1969 — through the story of Alicia, a trolleybus driver who joins an insurrection against an oppressive regime.

Bruna is a young and beautiful actress in the making who has just separated from her boyfriend and is going through a period of deep melancholy. A late encounter with her ex gives her the strength to turn her experience into a play in which life and fiction intermingle.

Las calles could be regarded as a film about words, about describing and naming, about secrets and confessions, and about language as the matter of memory. In a dialogue between generations, young people are responsible for elaborating the question, and School is the place that tries to come up with a technique for it. In turn, the elderly answer through their stories, which are basically the story of the town. And like the word –which is always a fiction– builds a reality, the film sustains its tone on that intermediate area in which a fictional setting provides the conditions for the pure documentary genre to mark the pace and reach out to people.

Drama about a man who is supposed to kill his daughter.

Eva is just passing through Madrid. She spends her days there alone: she doesn't know anyone and isn’t particularly interested in getting to know new people. The city is therefore an unfamiliar place where she wanders aimlessly, her curiosity somewhat dampened. But one afternoon, at the Reina Sofía Museum, a man approaches her. His name is Dante and he is an Argentine historian researching labor struggles in his country and the career of Juan Bialet Massé.

Sara discovers that agrochemicals sprayed by her neighbor for soy cultivation poisoned her daughter. The treatment compels them to travel to Buenos Aires. To get money for it, Sara devotes herself to drug trafficking. This becomes a threat to her freedom and the safety of her children.

Pelu is a thirty-something who barely survives on his salary as a projectionist at a municipal film club. After losing his job, he agrees to stay on as a night watchman and ends up living secretly inside the cinema, accompanied by the films he reviews every night.

Ana transcribes the news of a crime committed a few nights ago in the city. Surrounded by her colleagues, Ana’s eyes perceive something strange; the killer’s look will be fixed on her.


After her mother’s death, Magali returns to her native town in the argentine north. The threatening presence of a puma that eats animals and appears in dreams unsettles the town. Magali’s approaches her son, together they will fulfill the family duty on which depends their own prosperity

The protagonist is Axel, aged about 40, a doctor who no longer practices his craft. He is living temporarily with his sister and her children. He doesn't do much, just exists a little between the living and their things. One day, he meets a young, pregnant woman. A relationship develops, a kind of love, and they live together, like driftwood temporarily clinging on to each other.

A defect within Celutel, the Telecommunication Corporation, affects cell phone lines starting with area code 153. Users from Cordoba, struggle to communicate and this leads to many absurd situations around the Corporation and its employees; who try to solve the user's problems; and at the same time, their own problems. With neurotic and paradoxical situations, taken to the absurd, Incommunicado is a comedy that plays with the communication phenomena.