Luiz Carlos Arutin

In 1886, in the small town of Araruna, Little Missy rejects the actions of her father—the slave-owning Colonel Ferreira—alongside Rodolfo, an active abolitionist republican with whom she falls in love.

After getting lost on a sea excursion, Jô Penteado and Fábio Coutinho develop mutual feelings during the two months they spend stranded on a deserted island.

Maria Eduarda "Duda" Pinheiro is a successful top model. After being hired to model Covery brand clothes, she meets the Kundera brothers, Alex and Gaspar, owners of the company. Gaspar, a former beatnik, is over 40 but still practices surfing, lives in a beach-side house and raises five children: Elvis (named after Elvis Presley), Ringo (Starr), Jane (Fonda), Olívia (Newton-John) and (John) Lennon, all from different mothers who left them with him. Anastácia "Naná" Passos, Duda's friend and mentor, loves him platonically, and rivalizes with Mariza Borges over him. Alex by contrast is a yuppie. He and their mother Morgana have a love-hate relationship and rivalry with his brother over Morgana's attention and the company. Alex begins to love Duda, however she falls in love with Lucas, a graffiti artist who is on the run from the São Paulo police due to his involvement in a crime there. He is also searching for his real father, and thinks it's either Alex or Gaspar.

In 1970, during a glittering New Year's Eve party attended by the aristocracy, a young pantry maid named Zaíra is mysteriously murdered. Thirteen years later, the prime suspect—Gastão, a humble waiter and former colleague of the victim—seeks to prove his innocence with the help of his son, Nil, becoming entangled in the lives of the other party guests. The story also follows a cunning pair of jewel thieves: the sophisticated Antônia Regina and João Maria—a criminal lawyer and member of the declining aristocracy who takes up the cause of Nil's father.

The story revolves around the conflicts within Silvana and Oliva's family—her mother and paternal grandfather—who are fighting for custody of Zeca after the child's father dies.

As Pupilas do Senhor Reitor is a Brazilian telenovela produced by SBT and originally broadcast from December 6, 1994, to July 8, 1995. Based on the 1867 novel of the same name by Portuguese writer Júlio Dinis, it was adapted by Lauro César Muniz, with scripts by Bosco Brasil, Ismael Fernandes, Analy A. Pinto, Aziz Bajur, and Zeno Wilde under the supervision of Chico de Assis. The telenovela stars Juca de Oliveira, Débora Bloch, Luciana Braga, Eduardo Moscovis, and Tuca Andrada. Set in a 19th-century Portuguese village, the story follows the orphaned sisters Guida and Clara, who are raised by the respected Padre Antônio, known as the Senhor Reitor. After Daniel returns home as a doctor following years away, old feelings are rekindled, but misunderstandings, forbidden love, family rivalries, and social expectations threaten the happiness of both sisters. As secrets and sacrifices come to light, the couples must overcome prejudice and scandal in their search for true love.

Colonel Epaminondas is a retrograde and authoritarian man, who commands and dismantles the region. He declares war on Pedro Galvão, his main rival, when he donates part of his land – purchased from the colonel – for the construction of a church and a school. The arrival of professor Juliana, right at the beginning of the plot, changes the lives of the residents of the small village. Juliana takes over the school and ends up arousing the interest of Fernando, Epaminondas' son. Oblivious to the fights that drive the story are Pituca (Patrí and Serelepe (Aires Pinto). The friendship between the two children, however, does not please the colonel, who is always fighting with his daughter. 'Meu Pedacinho de Chão' was co-produced and shown simultaneously by Globo and TV Cultura in São Paulo.

For 30 years, José João Batista—better known as Zezão—worked for the same company. After being forced into retirement by the board, he is left bitter and resentful, only to win a major lottery prize. However, he never collects the winnings, as he is struck and killed by a vehicle beforehand; the winning ticket ends up being buried with him. Angelina, Zezão’s wife, and their four children—Pedro, Jesus, André, and Maria de Fátima—search everywhere for the ticket, until Angelina has a vision of her late husband. In the vision, he reveals that he was buried with the ticket, which was tucked into the pocket of his suit jacket. Angelina then decides to exhume Zezão’s body. When the coffin is opened, the family discovers the corpse wearing only his underwear and concludes that the ticket has been stolen. This sets the stage for the soap opera's main plot: the search for the missing ticket.

São Paulo, 1945. A tenement in the Bixiga neighborhood centralizes the plots and characters. The cheerful Lalá is a former prostitute who got along with a senator of the Republic, her lover, who, when he died, left her in an excellent financial situation, since she had a daughter with him, Marialina. Lalá is courted by the simple Italian Antônio Sapateiro, a mature man in love with her. The Portuguese Manoel Vitor loves the Jewish Ruth, but her parents forbid dating because of religion.

The miniseries addresses the struggle of Pedro Arcanjo, guided by Magé Bassã, his holy mother, to protect African culture and integrate it into Brazilian society, creating a new culture. The plot takes place in the Bahian setting filled with the stories of the characters who intersect in Arcanjo's struggle: the friendship with Mestre Lídio, shaken when Rosa de Oxalá, his wife, falls in love with Archanjo; loves prohibited by the incompatibility of saints; the fight against the intolerance and racial prejudice of those in power.

A Deusa Vencida is a 1980 Brazilian telenovela, broadcast on TV Bandeirantes, directed by Walter Avancini and written by Ivani Ribeiro.

Maria Moura loses her father in childhood and at the age of 17 finds her mother dead at home. Believing her stepfather to be the killer, Maria seeks revenge for her mother's death.

The principal character in Helvécio Ratton's delightful film has been adapted from a book and comic created by the Brazilian cartoonist Ziraldo, and tells the tale of a happy-go-lucky 10-year-old child growing up in a city in the 60s.

The story of one of Brazilian cinema's pioneers, Eduardo Abelim, from the start of his career, in Rio de Janeiro, until his filming of the 1930 Revolution. To promote his films, Abelim would even perform car stunts, give classes on the occult and offer guidance on mystical matters.

In the portuary zone of Santos, São Paulo, a prostitute teams up with an unemployed stevedore while looking for a better life.