Ali AlMufeedi

The events of the work in the market and the old Kuwaiti market and the situation of traders and the problems they are exposed to and projections on the state of the Kuwaiti economy.

The Walls is a 1983 Kuwaiti drama about two close friends facing contrasting family struggles. One is forced into marriage by her father, losing her mother’s support, while the other fears losing her father’s love when he remarries. The series explores themes of forced marriage and family breakdown with realistic storytelling and strong performances.

In 1967, three brothers from the Badr Al-Dajji family live on his personal path, Haji, the older brother who owns a sweets shop, the middle brother who died early, and the younger brother who takes what he is unjustly entitled.

"Darb Al-Zalaq" is a classic Kuwaiti TV series that offers a window into Gulf Arab culture through the comedic and often poignant tale of two brothers, Hussein and Saad. Driven by their desire for quick wealth, they embark on a series of ill-fated business ventures, only to find themselves repeatedly caught in the traps of their own making. Set against the backdrop of a rapidly changing society, the series explores themes of greed, family ties, and the unpredictable twists of fate that are central to Arab storytelling. Through humor and satire, "Darb Al-Zalaq" reflects the challenges of balancing tradition and modernity in the Gulf, making it a cultural touchstone that resonates with audiences across generations.

The series takes place in a form of humor and comedy about the two brothers who are looking for jobs, but have difficulty finding jobs.

The events of the work revolve around a comedic framework around the Bazza family, who belong to the poor class and are unlucky enough to move to Abu Khaled's house to work as a maid for his family, but with Bazza's cleverness and intelligence, Abu Khaled falls in love with her and marries her, and she begins her plans to obtain Abu Khaled's property.

Abu Radh, a crafty and opportunistic mailman, projects an image of poverty to those around him. In reality, he's a silent partner in multiple lucrative ventures that have made him incredibly wealthy. As he juggles his secret fortune with his humble facade, the question remains: can he keep his hidden wealth under wraps, or will the truth eventually catch up to him?

In this social comedy set in a lively neighborhood, a principled legal assistant named Ateej becomes entangled in community struggles and political intrigue when he helps a young woman escape the control of her domineering uncle. As Ateej gains public attention, he finds himself drawn into a local election campaign, challenging corruption and standing up for ordinary people.

A controlling mother who spies on her children and their spouses by installing cameras in their rooms is caught in a web of problems when one of her daughters-in-law finds out.

In a comedy framework, the series deals with the story of a shreb who works as an employee and arises between him and Al-Aidrousi funny situations and conflict within work.

The series revolves around the two sisters (Ruqaya) and (Sabeeka), who work selling old women's necessities, where they meet (Diab), who works as a driver, who marries (Sabeeka) and then discovers that the house in which (Sabeeka) and (Ruqaya) live belongs to them and events escalate

In this Kuwaiti comedy series, Ghafel embarks on multiple marriages arranged through a computer, thanks to his cousin, who owns an online matchmaking company. However, each marriage ends in failure, prompting him to continuously search for a new wife.

A Saudi comedy about Abu Saud, who inherits his father's house and sees a chance to finally quit his job — until a property valuation reveals the house is registered under someone else's name. What follows is a farcical tangle of debts, deals, and bureaucratic chaos as he scrambles to claim what he believes is rightfully his.

Wolves That Do Not Eat Meat is an Arabic narrative film from the adventure and suspense films produced in 1973, represented by Izzat Al-Alayli in the role of "Anwar", Nahed Sharif in the role of "Thuraya" and Mohsen Sarhan in the role of "Saleh", and from Kuwait Muhammad Al-Mansour in the role of "Al-Saffah" Khaled Al-Saqabi in the role of “The Officer” and Ali Al-Mufidi in the role of “Al-Akhras”, and from Lebanon Silvana Badrakhan in the role of “Linda” and Les Sirkisian or actress Iman as she was known later in the role of “Nihad”. And directed by Samir A. Khouri. All the movie clips were shot in the State of Kuwait.

The first feature film to be made by the state of Kuwait. It is a period piece about Kuwait before the discovery of oil when fishing was the predominant occupation. Bas Ya Bahar is the story of a crippled pearl diver who forbids his son Mussaid to go to sea to dive for pearls.

A story unfolds with a dying king revealing to his three daughters that one of them must ascend to the throne. However, each princess, aspiring to become the next monarch, must undertake tasks bestowed by the moon priestess. Their ultimate quest involves retrieving a golden apple, a sacred symbol, to be presented at the temple, signifying the chosen one's rightful claim to the title of the new queen.

Egyptian socialite Dalal is determined to win over Kuwaiti businessman Abdullah, who’s fallen for Dolly, a Lebanese seamstress. Dalal’s wild schemes to sabotage their romance lead to a hilarious clash of love and cultural quirks.

Horror television movie from Kuwait.

A political and social play in which the old narrator preaches and guides during the Iran-Iraq war, the bombings that occurred in Kuwait and the attempted assassination of the Emir of the State of Kuwait during that period, and the clear difference in opinions between support for stopping the war on Iran and the positions of the President of Iraq.

What was the impact of the emergence of oil on Kuwait in particular and on the Gulf society in general? How did people behave? What were their customs and traditions?! What was the impact of oil on them, bringing about many changes? The play deals with one of the Kuwaiti villages overlooking the sea, in the late forties, when World War II was ending, and the State of Kuwait, and the Gulf states in general, were preparing to move from the sea - to depend on their livelihood - to the land and desert, where oil began to flow, and with it flowed new customs, different behavior, and ideas that Kuwaiti society was not familiar with.