Sanshō Shinsui

In a small village in a valley everyone who reaches the age of 70 must leave the village and go to a certain mountain top to die. If anyone should refuse they would disgrace their family. Old Orin is 69. This winter it is her turn to go to the mountain. But first she must make sure that her eldest son Tatsuhei finds a wife.

A businessman kills his adulterous wife and is sent to prison. After his release, he opens a barbershop and meets new people, talking to almost no one except for an eel he befriended while in prison.

Set in the late 60s in a small seaside town, this coming of age drama centres on a young girl named Nagisa. She spends her summer holidays working in a local seaside bar, searching for her lost cat, dancing to rock’n’roll and discovering first love.

A wife, bored with her husband, meets one of his old friends at a party. He manages a strip club. Intrigued, she goes with him to visit one of his clubs. One of the strippers is upset and the manager has to pleasure her to calm her down. The wife is aroused by the sight of this and later invites him to her house. There they begin a passionate affair behind her husband’s back.

When radicals from Japan's Red Army took a woman hostage in the resort town of Karuizawa, Nagano in 1972, Officer Atsuyuki Sassa was put in charge of diffusing the situation. But the task had its challenges. Upon arriving in mountainous Nagano, Sassa had to compete with freezing winter temperatures, conflicting opinions between the Tokyo Metropolitan Police and the Nagano Prefectural Police, as well as public opinion to gain entrance to the lodge that held the single woman captive.

Six unknown people move to the declining seaport city of Uobuka. Unremarkable city official, Tsukisue, is appointed to welcome them, but finds out the shocking truth that all of them are former murder suspects. Before long, an uneasiness begins to creep over the quiet city.

A scientist realizes his dead wife is an organization of mitochondria bent on making a new species that will wipe out humanity.

2 almost inseparable friends. The talented painter recognized by all decided to leave the town where they live and become an artist and the shy poet who only sees his future in his mother's business.

Ryoro Kurojima is the director of a Tokyo apology center. His job is to teach others how to apologize. Ryoro Kurojima solves problems by using his apology techniques on anything from simple arbitration to a national crisis.

War between North Korea and Japan

In the desert of Egypt, Kurata, the CEO of the Japanese corporation Tokokaihatsu, is killed by a sniper. After the news reaches Japan, the CEO's lawyer, Yamamoto, receives a visit from two men that attempt to steal the deceased CEO's will. This is witnessed by two detectives, Tsuzuki and Ōnuki, but they fail to catch the perps. Yamamoto hands the detectives a set of keys before he stops breathing. Tsuzuki and Ōnuki now have to investigate Kurata's murder...

The film depicts carnivalesque atmosphere summed up by the cry "Ei ja nai ka" ("Why not?") in Japan in 1867 and 1868 in the days leading to the Meiji Restoration. It examines the effects of the political and social upheaval of the time, and culminates in a revelrous march on the Tokyo Imperial Palace, which turns into a massacre. Characteristically, Imamura focuses not on the leaders of the country, but on characters in the lower classes and on the fringes of society.

In a maelstrom of evil, can a new magistrate, samurai Mochizuki Koheita, with a reputation like an alley cat, bring order to the town of Horisoto, or is he, too a corrupt villain looking to gain wealth from the oppressed people? From the pen of famed samurai author Yamamoto Shugoro, this exciting tale turns the tables on the standard samurai story with a unique lead character previously portrayed in Ichikawa Kon’s “Dora Heita.”

At the time between the World Wars, Japan is involved in empire-building throughout East and Southeast Asia. After a brief career as a low-level military adventurer, Iheiji sets up chains of brothels throughout Asia. As Japan's power in the region grows, so does Iheiji's prosperity and patriotism.

A yakuza family goes into show business.

Yōsuke Kenjō, an eccentric detective from Ise Police, deals with repeat offenders. He’s called in to investigate a series of brutal murders of women with criminal records. The victims are found naked, with scattered photos and a 15-digit number printed on an "ear tag", a cattle identification tag. Frustrated by the lack of leads, Kenjō investigates on his own and uncovers a connection to cell phones.

A down-and-out scriptwriter spends his days and nights in the bars of Tokyo. When he is thrown out of a joint because it is closing time, there is always a willing lady to spend the rest of the night with. In the street he has countless semi-philosophical discussions with fellow drinkers, male and female, (shot in black-and-white, as prologue to the different chapters) but in the end it often comes down to one thing: the bottle of whisky that has to be finished. An encounter with a homeless young man with AIDS marks a turning point in the life of the writer.

Upon reaching the train station to death, a dejected soul is informed that he is "lucky" and will have another chance at life. He is placed in the body of a 14-year-old boy named Makoto Kobayashi, who has just committed suicide.

Detective Ukyo Sugishita confronts crime on the basis of his own convictions. He has a partner that works for him in the Special Task Unit. For the first 7 seasons, Ukyo’s first partner is Kaoru Kameyama. He is a good-natured, hot-tempered, straightforward and somewhat scattered detective. Beginning in Season 8, Takeru Kanbe replaces Kameyama. Contrary to his predecessor, Takeru is a lanky, cool, conceited and confident detective. From Season 11 to Season 13, Ukyo’s partner is a young detective Toru Kai. Toru is a son of Deputy Director-General of The National Police Agency. But he became a detective by his own effort. And starting with Season 14, Ukyo’s current partner is Wataru Kaburagi, an elite bureaucrat who came to the Metropolitan Police Department on temporary assignment. As the first partner without any career of a police officer, he will face challenging cases together with Ukyo.

A young man who showed little promise while a high school student becomes a master detective, just like his grandfather.

Satoshi Itomura is an assistant police investigator who belongs to the Metropolitan Police Department’s Scientific Investigation Team. Reenactments, fingerprint and voice data collections, profiling... His team collects scientific evidence and pieces together fragments of information in order to help build evidences. However, Itomura often does not care about the scientific approach and instead pays a great deal of attention to the things that the victims always carried with them or treasured. And he focuses on these things because they usually carry the victim’s dying wishes, understanding that last message not only helps solve the cases but also brings closure to the depressed family of victims.

Dr. Shindo seems cold, but is a competent surgeon. He is also an ER doctor capable of accurate decisions and treatment, who always tries to see things from the patient’s side. Although once retired from his profession, he one day discovers someone in need of help, who he treats and rushes to the Kohoku Medical University Emergency Center. This incident encourages him to once again work as an ER doctor. Confrontation erupts between female doctor Tamaki, and Shindo, now a just-arrived ER doctor. While this human drama depicts the relationships among doctors and nurses, it appeals emotionally to viewers on the subject of life.

Yū Amagi is a slightly eccentric detective who has been assigned to the Twelfth Section of the Tokyo Metropolitan Police Department's First Investigative Division from the Lost and Found Centre. The Twelfth Section is called the "graveyard of detectives" and ridiculed as the "banishment room where hardened detectives who cannot be fired are sent." Its assembled detectives Kōsuke Samura, Takumi Yamashita, Keita Nagasawa, Tamaki Mizuta, and Masatoshi Katagiri are elite and yet oddballs. Amagi appears fixated with time which seems to have no relation with a case. Raising questions about the timelines of the perpetrator and victim derived from the estimated time of death, time of crime, time of alibi, and time limit, he searches for the meaning of "blank time" which arises from this. He obsesses over the weight of every minute and second of time because of some incident.

After awakening in the Edo era, a neurosurgeon uses his medical knowledge to help those around him while searching for a way back to the present day.

After a botched robbery at the Kurokawa Financial Company leaves security guard Satoru Aizawa (Nagase Tomoya) fatally wounded, a freak lightning strike pulls him back from the brink of death, leaving him with the unwanted ability to see the dead. While hunting for the truth behind the heist that claimed his best friend's life, he crosses paths with Toranosuke Kihara (Okada Junichi), a cynical freelance detective who shares his strange gift. The two former strangers form an unlikely partnership, navigating the Tokyo underworld to settle scores for the living and find peace for the restless spirits left in the wake of the city's crimes.

Takashi's mother, Chise, lost her home in Miyagi in the Great East Japan Earthquake, and is hospitalized with terminal cancer near Takashi's house in Kanto. She is concerned about her second son, Takumi, who has not been in contact with her. Takashi has complicated feelings for Takumi, who has always been the recipient of his mother's love. The brothers, who were born and raised in Tohoku and have different personalities and lifestyles, are reunited when Chise falls ill, and the three decide to head to Matsushima at Chise's request, who has only a short time left to live. Matsushima is the only place they remember where they went on a family trip after losing their father at an early age. They encounter various people and see the disaster area spreading out. The group continues their journey with their own thoughts in mind...