Antônio Pompêo

In 1886, in the small town of Araruna, Little Missy rejects the actions of her father—the slave-owning Colonel Ferreira—alongside Rodolfo, an active abolitionist republican with whom she falls in love.

In the struggle for land a vicious feud erupts between two men, who commit their families to a war without truce. Over two generations they are moved by love and by hatred in this epic saga of love for the land.

Twin sisters with contrasting personalities, Ruth and Raquel, rival in the fictional Pontal D'Areia, on the coast of Rio de Janeiro.

To get revenge on her ex-fiancé Murilo Pontes, Pilar marries his rival, Jerônimo Batista. 25 years later, Pilar and Murilo deal with the passion between their children, Marina and Leonardo.

Marked by tragedy, Feliciano Júnior returns to Tubiacanga as Raimundo Flamel, driven by the desire to avenge the death of his parents.

Isabel Vilela is about to fulfill one of her greatest wishes. She’s been married for a year with the cheerful Danilo when she realizes that she’s pregnant on the eve of a romantic trip. Isabel’s professional life is also booming, with financial help from Danilo, she’s about to inaugurate her own architecture firm

Carlão is an honest but hot-tempered taxi driver who discovers a suitcase containing two million reais in his car, the proceeds of a bank robbery. This is the second version of the telenovela, originally aired in 1975.

The soap opera critiques the power struggles among rural politicians in the 1920s. Joaquim is shocked when a doctor reveals that his son, Luís Jerônimo, has a lung lesion. To recover his health, the young man leaves Rio de Janeiro for Colonel Boanerges's farm in Vila da Mata, Espírito Santo. There, he meets Zuca, and the two fall in love. Zuca is the colonel's goddaughter and the fiancée of the fearless cowboy Tobias, who refuses to accept the possibility of losing her to the outsider. Zuca and Luís Jerônimo face numerous obstacles in pursuing their love. Their romance is also threatened by the arrival of Pepa in Vila da Mata; having been in love with Luís Jerônimo back when he lived in Rio, she tries by every means possible to drive the couple apart.

The soap opera follows the story of young Aurélia Camargo (Norma Blum), a girl who falls in love with the ambitious young journalist Fernando Seixas (Cláudio Marzo), who also falls in love with her, but rejects her when he receives an invitation to marry Adelaide (Fátima Freire), the daughter of Tavares do Amaral (Felipe Wagner), a wealthy banker. Feeling abandoned by her great love, Aurélia dreams of one day having him back. Until, when she turns 18, she is surprised with an inheritance from her grandfather, and becomes a very rich woman, allowing her to create her own rules for her life. However, for the society of the time, it was not good form for a woman to enjoy such independence. For this reason, Aurélia begins to rely on a distant relative, Dona Firmina Mascarenhas (Zilka Sallaberry), to act as her mother, and on the administrator Mr. Lemos (Alberto Perez), to guide her in business. So, she sees a great opportunity to have Fernando in her life again.

When the men go to war, the women also battle. This tale takes place in the XIX century, during a terrible civil war. Italy’s revolutionary leader Garibaldi must choose between two loves: a sweet aristocratic lady or a brave woman who leaves her husband to accompany him into battle. This super-production recounts the saga of women who do not go to war but must bear pain, solitude and new passions while their husbands and fathers fight the battles.

On Paquetá Island, Carolina dreams of reuniting with a childhood sweetheart, unaware that it's Augusto, her brother's friend. After adventures and misunderstandings, the couple struggles to stay together.

It tells the story of the Camabará family for many generations, which were fundamental to the social and political formation of the state of Rio Grande do Sul. The stories are remembered by Dona Bibiana, who remembers the life of her grandmother Ana, her husband, the Captain Rodrigo, his son Bolivar and his daughter-in-law Luzia.

The miniseries addresses the struggle of Pedro Arcanjo, guided by Magé Bassã, his holy mother, to protect African culture and integrate it into Brazilian society, creating a new culture. The plot takes place in the Bahian setting filled with the stories of the characters who intersect in Arcanjo's struggle: the friendship with Mestre Lídio, shaken when Rosa de Oxalá, his wife, falls in love with Archanjo; loves prohibited by the incompatibility of saints; the fight against the intolerance and racial prejudice of those in power.

Diana is woman who lost her child for her Husband. A evil man behind a series of crime operations. Searching for her son, Diana is hired for a underground organization to fight crimes all over Brazil. Now, Diana has the meanings to locate her former husband and search for her son.

Lampião becomes the target of relentless persecution after the kidnapping of a foreigner. Alongside Maria Bonita, he faces challenges and persecution in the last months of his life in the cangaço.

The story begins when the police find a murdered young woman and link the crime to the activities of a drug gang. One of the central characters of this gang is Lucien, protagonist of the miniseries. He is one of the main mafia leaders in the country and the son of the powerful boss of União Corsa. Lucien disputes authority within the organization with Lorenzo, his antagonist. Still in the first chapter, Lucien meets the model Heloísa. The young woman comes from a middle-class family and dreams of social mobility. He falls madly in love with her, and the two begin a rapturous romance.

Rio de Janeiro, 1886. A precious Stradivarius violin presented to Emperor Dom Pedro II is stolen. Sherlock Holmes and Dr. Watson are called to solve the case.

During the military dictatorship, a political militant takes his son out of the boarding school, and puts him temporarily in a friend's luxury and empty apartment in Copacabana beach. The son knows very little about his father, and the latter cannot really explain his activities to his son, fearing for his security. So the young man stands alone in the huge apartment, waiting for the infrequent meetings with his father, without really knowing what's going on.

After being forced into a marriage and enduring a humiliating work routine in the hands of his father-in-law, Zé Araújo becomes the mythical Ojuara, an unconventional hero devoted to debauchery.

What does Brazilian cinema tell us? What does Brazilian cinema tell us about black actresses and actors? ‘Pressed, Ripped Apart’ makes use of archival sources to retrieve the trajectory of black actresses and actors who, between absences and delimited presences, between the fallacy of a racial democracy – based on the harmony among Brazil’s diverse identities – and erasure of identity, strain the history of Brazilian audiovisual and above all, our own history.

After getting involved with an MTV VJ, a musician ends up being accused of setting up a robbery against her. To clear his name, he goes to São Paulo, but gets involved in situations that distance him from his peaceful life.

The strange friendship between two men of opposite social classes. Miguel is a senator. His childhood friend Jorge is a major drug-dealer. In the 1970s, they meet in prison: Miguel was there for political reasons, and Jorge, as a common criminal.

The romanced story of Xica da Silva, a slave that used her "feminine atributes" in order to get power.

Quilombo dos Palmares was a real-life democratic society, created in Brazil in the 17th century. This incredibly elaborate (and surprisingly little-known) film traces the origins of Quilombo, which began as a community of freed slaves. The colony becomes a safe harbor for other outcasts of the world, including Indians and Jews. Ganga Zumba (Toni Tornado) becomes president of Quilombo, the first freely elected leader in the Western Hemisphere. Naturally, the ruling Portuguese want to subjugate Zumba and his followers, but the Quilombians are ready for their would-be oppressors. The end of this Brave New World is not pleasant, but the followers of Zumba and his ideals take to the hills, where they honor his memory to this day. Writer/director Carlos Diegues takes every available opportunity to compare the rise and fall of Quilombo with the state of affairs in modern-day Brazil.

Rio de Janeiro crooks rove about, performing petty tricks to survive, and get involved with a woman who steals cars.

This adaptation of a classic Brazilian novel focuses on the relations of charismatic characters within a tenement.

Paulo Otávio is the host of a pirate radio station on the slums of Rio de Janeiro. He struggles to mantain the station working, since the only help he's got comes from news reporter Calói. Their story goes beyond as the city starts to face a crime wave.

The murder of a wealthy couple shocks public opinion, with the eldest son accused of killing his parents. Condemned beforehand by the press, he needs to prove his innocence.