Maria Jose Gabin

A comedy about a young girl who gets pregnant on a traditional Argentinean family.

A group of musicians, prostitutes, gamblers, and laborers, react to the arrival of a tango pianist at a saloon.

A young man and a girl meet due to a confusion in the deliveries of a house that provides meals at home.

Dina has not seen her three children for many years. They escaped their excessive control and live abroad. She can't get over her aerophobia to go visit them. She can't take it anymore without seeing them, and with his friends she sets up a mock of his funeral to force them to come and see her, but her plan will unleash madness. Who would think that this plan will work?

The film brings together the winners of the first edition of the Argentine National Film Board's (INCAA) annual public script competition, the grand prize of which is the budget to produce a short film. Eventually screened in national theaters, the omnibus film gave rise and recognition to a new generation of Argentine filmmakers known collectively as the New Argentine Cinema—a wave of contemporary filmmaking that began in the mid-1990s in reaction to decades of political and economic crises in the country.

The crew of a 24-hour store live their life while dealing with a drug cartel

After the accidental death of his mother, Andres has to move in with his grandmother, Olga, and his estranged father Raul. Andres, who doesn't like to take a nap, wanders curiously through the neighborhood, where an illegal detention center is hidden, something everyone knows, but no one dare mention. Courage and fears will be tested with lasting consequences for all.

"Three minutes" is a film in the fantasy genre. It is the love story between Alex, a journalist who, forced to speak very quickly in his newscast, must take this substance that accelerates his nervous system and Ana, a young piano student who in order to become a concert pianist, needs to gain speed in her piano playing. They both end up over accelerating and finding each other in a parallel world where everything around them seems to have stopped moving. In this motionless world, they will live their great romance.

Batato Barea, the “clown/intellectual/transvestite” was a genius of the underground scene who was able to represent all the nuances of a changing country with his own poetic radicalism, in such a unique way that it made him irreplaceable. That paradox is the basis for this documentary by Peter Pank and Goyo Anchou, two authors in search of a character and his legacy, but also his irreplaceable presence and instantaneous, evanescent theatricality, which challenged every mandate and convention.

In a dystopian society, a government uses therapy and dreams to recover, or perhaps implant, memories to those lacking them.

An imaginary community is forced to watch the same film over and over again until a young couple joins a clandestine group that preserves old films.

A young working mother in Buenos Aires, Ana reads a note suggesting a relationship kept hidden by her husband, an executive preoccupied by his job. To solve the mystery she travels a long distance to Rio Escondido, an unimportant river town at the foot of the mountains in western Argentina, and the film becomes a journey of discovery as she finds her heart and her passion. Along the way, truths and perceptions intertwine when Ana meets Martin and she learns who and what he is.

Leandro and Silvina, a young and successful middle-class couple, are experiencing the happiest time of their lives. But the sudden appearance of Leandro's daughter from another relationship, destabilizes the couple revealing hitherto unknown differences.

Love and morality collide in a small Argentinean town when teenage Marianito (Federico Canepa) falls in love with Chiche (Andrea Galante), who's 10 years his senior. When she becomes pregnant, the two decide to make a life together despite hostility from family and friends. But can love survive in the face of so much opposition? Written and directed by Fernando Musa, this intense character study co-stars Ingrid Pelicori and Enrique Liporace.

Verano del '98 is an Argentine telenovela, produced by Cris Morena. It was broadcast on Telefe television in the period January 12, 1998-November 17, 2000. The telenovela had three seasons, and changed its cast many times. Cris Morena also composed songs for Verano del '98 soundtrack.

The series proposes a new look at the human bonds of the new century. Each of the chapters develops a unique story. They are focused on the conflicts that their characters face in the face of the resistance of a society that often does not fully accept new realities, a product of the transformations that are currently being experienced.

This series narrates the events that a series of characters experience around different spaces that have been emblematic at a certain moment in history and that are currently forgotten. It combines documentary with fiction to show the neglect produced by abandonment and how it affects the lives of the characters. Each episode deals with a different place.