Melih Ekener

The year is 2003, and the Private Çamlıca High School, once home to the legendary “Hababam Class”, is still in operation. The school’s founder has passed away, and his son, nicknamed “Mad Bedri,” now runs the place. The time-honored Hababam traditions continue in full force, and every teacher is so exasperated by the endless pranks of that class that they’re constantly looking for a way out. Seeing his chance, Mad Bedri plans to sell the school to a developer in exchange for floor space rights, so that it can be torn down and replaced with a high-rise office complex. When the principal, Fatoş, learns of his scheme, she enlists the help of the original “Hababam” alumni to save the school by taking on its current troublemakers. Tensions rise once Bedri announces the sale, and a huge surprise awaits everyone.

An incompetent gang of criminals attempting the biggest robbery of their lives, which was the sixth highest-grossing Turkish film of 2005.

After the latest prank they pulled on Deli Bedri, the boys are sent to mandatory military service to learn discipline.

Winter break has arrived. While the Chaos Class seems no closer to eventually graduating, Deli Bedri comes up with an elaborate plan to scare them away from the school so that he can finally find some peace.

The tragic conflict between Korkut, a history student working in the library, and a dark shaman of Altai Turkic descent.

International terrorist Deşifre manages the finances of terrorist groups around the world. One day, Deşifre steals a virus from the Pentagon and completes the chemical weapon he has been working on. He carries out his plan at the NATO summit in Turkey by injecting the virus into water bottles. The virus causes people to mutate, with some delegates turning into women, others into trees, and so on. The agents tasked with uncovering the truth are K9, who is as clumsy as he is successful, and his beautiful and sexy partner, Agent Ayşe Kosovalı. This adventure, filled with clumsiness and absurdity, is a first for Turkey and even unique in European cinema.

A husband who has issues being romantic which causes madness of his wife.