Victor Charrington

Sly and dry intelligence agent Harry Palmer is tasked with investigating British Intelligence security, and is soon enmeshed in a world of double-dealing, kidnap and murder when he finds a traitor operating at the heart of the secret service.

A man released from prison falls in love with the blind wife of a cellmate, whom he promised, when inside, to visit. He poses as the real husband, planning to kill him, but finds the wife is not so innocent as he thought.

Police hunt for mental hospital out patient Simon Lacey, who has been unwittingly handing out barbiturates to children as sweets.

Professional killer Kersten arrives in England and is hired by Donald Edwards to murder his wife Helene. But Helene's lover Robert Vaughan discovers the plot and he trails Kersten and Edwards to a country cottage.

An ex-con escapes from jail to clear himself about a robbery charge

Hancock's Half Hour is a BBC television comedy series of the 1950s and 60s written by Ray Galton and Alan Simpson. The series starred Tony Hancock with Sid James. The final series, renamed simply Hancock, starred Hancock alone. Comedian Tony Hancock starred in the show, playing an exaggerated and much poorer version of his own character and lifestyle, Anthony Aloysius St John Hancock, a down-at-heel comedian living at the dilapidated 23 Railway Cuttings in East Cheam. The series was influential in the development of the situation comedy, with its move away from radio variety towards a focus on character development.

The Scales of Justice is a series of thirteen British cinema featurettes produced from 1962 to 1967 for Anglo-Amalgamated at Merton Park Studios in London. The first nine were made in black and white, and the last four in colour. The finale, Payment in Kind, was Merton Park's final production. Episodes were based on criminal cases, and each film was introduced by criminologist Edgar Lustgarten. The series derives its title from the symbolic scales held by the statue of Justice, situated above the dome of London's Central Criminal Court, The Old Bailey. The opening narration describes her as having "in her right hand, the Sword of Power and Retribution, and in her left – The Scales of Justice".

A series of plays which examine if 1970s society is heading towards the dystopian world predicted in the book '1984'.