Gemma Martínez

After a health crisis that keeps her home, Klara does nothing but listen to her favorite radio show, Follow My Voice. But one day she wonders: is it possible to fall in love with someone she has only heard on the radio but never met? Could she really have feelings for Kang, the radio show host whose voice she has only heard once, and will she overcome her fears to step out into the world again?

Years ago, a cruel and merciless nun turned a boarding school into a living hell for her students until they could no longer bear the abuse, and she mysteriously disappeared. Now the alumnae are being brutally murdered one by one.

Julián, a divorced man with financial problems, uses a cell phone application to share his car with strangers.

Madrid, Spain, 1936. The young Miguel Gila lives happily with his grandparents in a humble attic; but the outbreak of the Civil War forces him to go to fight.

In a village in the Sierra de Madrid, a couple feels that their children, who have since moved out, have forgotten about them. To get them back, they will pretend that they have won the lottery and that they are multimillionaires.

Two men with the same name endure the funny consequences of getting mixed up during a business trip.

Leo and Lorea have loved one another. Maybe they still do. But something in them has broken. After five years, their relationship is done. He looks after his sick father, trapped between responsibility and an emotional void that weighs him down. She, caught up in poorly-paid jobs and personal crises, tries to get her life back on track without really knowing where to begin. They are two bodies, tired and alone, pierced by their precarious situation, by unresolved issues, by the emotional legacy of a generation who always seem to come late to everything: to love, to stability, to maturity, to serenity, to personal satisfaction.

A family of five living in 50 square meters without air conditioning on a scorching summer day decides that perhaps the best option is to stay overnight in the empty 'mansion' where the father works as a gardener.

A trigger-happy Nationalist fears retribution from the son of a man he executed. To mollify the boy's anger, he takes a drastic step: he keeps constant watch over the fig tree the boy has planted at his father's gravesite. As the years pass, the man's lonely vigil makes him a tourist attraction, much to the chagrin of his former colleagues.

Adrian is a young fame seeker who rents himself out at social events. He cries at funerals, tells jokes at parties and applauds on opening nights. Suddenly, his luck changes and Adrian becomes an overnight smash...

A group of high school friends meet again after 25 years to attend the funeral of a mutual friend, and from that point on they try to recover their friendship.

La que se avecina is a Spanish television comedy created by Alberto Caballero, Laura Caballero and Daniel Deorador. The TV-series focusing around the inhabitants of Mirador de Montepinar, a fictional building located on the outskirts of a big city. Both its storylines and cast are heavily based on Aquí no hay quien viva, which ended when Telecinco bought Miramón Mendi, the series production company. The episodes debuted on the Telecinco network, and were later rerun by the same network as well as cable/satellite channels FactoríaDeFicción and Paramount Comedy. The series debuted in 22 April 2007 and became popular thanks to its funny characters, witty script, use of catchphrases and capacity to integrate and poke fun at contemporary issues; the program presents a caustic satire of many of the 'types' found in Spanish society. The name of the show involves wordplay, as "vecina" is the Spanish word for neighbour.