Yukihiko Kageyama

A Taiwanese high school baseball team travels to Japan in 1931 to compete in a national tournament.

Cindy and Joanne are a married lesbian couple expecting their first child. Their relationship is challenged when Cindy discovers that Joanne has agreed to sell their unborn child to another gay couple, their friends Charles and Tim.

Moody, atmospheric ghost story starring Mason as a retired tradesman who purchases an old mansion that has been vacant for 40 years because it is believed to be haunted by the spirit of a young woman who had died there. Unaware of the mansion's reputation, Mason and his wife Mullen move in and hire a young woman, Lockwood, to keep house. Soon after Lockwood's arrival, strange things begin to happen in the household, and it becomes apparent that she is possessed by the spirit of the dead girl, though Mason scoffs at the idea. On death's door and bedridden, Lockwood asks for the same doctor who treated the woman who died 40 years ago. He arrives and treats her. The next morning Lockwood is cured, and it is revealed by the police that the doctor's dead body was found in his carriage hours before the time Mason claims he arrived to see Lockwood. Convinced that not only the ghost of the girl but that of the doctor as well entered his home, Mason finally believes in the supernatural.

In the early 1950s, even the small villages in Taiwan were bathed in the atmosphere of White Terror. It was a difficult time for all. There was a beautiful young woman called A-zhen. She always felt that there was something weird in her house since she got married to her husband, A-yi, the village glassblower. A-zhen was very curious about the mystery surrounding the wall in her house. So, one day, she decided to investigate the real secret behind the wall.

For her debut feature Finding Sayun (不一樣的月光), Atayal director Chen Chieh-yao (陳潔瑤) returns to her home village to unearth the legend of Sayun (sometimes spelled Sayion), an Atayal girl who fell to her death in a turbulent stream while carrying a Japanese teacher’s belongings at the end of World War II. The movie begins when the tale of Sayun draws a television crew to the Atayal hamlet of Tyohemg (金岳) in Nanao Township (南澳), Yilan County. Yukan (Tsao Shih-hui, 曹世輝), a high-school boy and a young hunter, does not understand the crew members’ interest in the story. But his grandfather’s (Chang Chin-chen, 張金振) memories of Sayun, whom he went to school with, revives his interest in the old tribal village, which the villagers had been forced to desert 50 years prior.

A Japanese girl (Kato Youki) is on a three month visit in Taiwan after breaking up with her boyfriend to study Chinese at a language center. One day she has a brief affair with Wu and later he requests her to sign a contract to be his girlfriend for 90 days and she agrees. One of the condition of the contract is they must get separated after 90 days. However, after getting know each other quite well, both find that the relationship seems to be true love and both are unwilling to break the contract agreement as the dateline approaches. What is the outcome of their love story in the end?

The lives of five lost souls; an unassuming valet, a femme fatale, a mob boss looking for redemption, a foreigner with a painful past and a suicidal waitress, collide in one night of life-changing choices in this neo-noir offering.

The Hotel Blackcat's owner, Mang, never leaves the counter. Guests include the immigrant worker, whore, losing-job Japanese, sex-abused man, little Lolita.... The police forces the Hotel to shut down and all guests must leave. What should they do? It's not necessary to lock each room anymore. Keep the door open, you'll find out traces imprinted with figures as well as times.

Passionate about life and art, young researcher Ching is in love with museum historian Tung-Heng, but he is absorbed in his work. Then Tao arrives in Taiwan to view an item of historical calligraphy, and they realize why he pursues calligraphy.

In the 1990s, Cai, a foreman on an MRT tunnel project, leads his crew of workers into the depths of underground construction. In order to pay for his daughter’s music classes, with his co-workers, each with his own dreams, they unexpectedly unearth a mysterious katana deep within the tunnel, after which a series of uncanny coincidences begin to unfold. In the meantime, Mei-li, the first female construction chief in Taiwan, was striving to prove herself in a site dominated by men. However, because of that, she experienced a journey full of crises. As the project progresses, workers begin to exhibit symptoms of decompression sickness. When the answer surfaced gradually, where were those people supposed to go? In this drama of workplace politics, mysteries and relationships, let’s see if these invincible underdogs were able to ask God for something. Was the mysterious power in the tunnel a blessing or curse?