Ximena Rubio

Set in the 1990s, these are the life and times of Amado Carrillo Fuentes, a man who became the head of the Juárez cartel. Nicknamed “El Señor de los Cielos” (Lord of the Skies) because of the large fleet of airplanes he used to transport drugs, he was also known for washing more than $200 million through Colombia to finance his huge fleet. He is described as the most powerful drug trafficker of his time.

Corazón Partido, is a Spanish-language telenovela produced by the United States-based television network Telemundo and Argos Comunicacion. This limited-run series ran for 90 episodes from November 1, 2005 to June 16, 2006. This telenovela was aired in 17 countries around the world.

Las Aparicio is a Mexican telenovela, the first one produced by Argos Comunicación for Cadena Tres. It was released on April 19, 2010 and ended on October 15 of that year, being composed of 120 episodes. Episodes are streamed on mun2.

Just when long-time couple Nadia and Martín begin to consider separating, an adorable stray dog finds his way into their home, and the two attempt to care for the animal together.

Mike Todd is a Broadway producer struggling to produce the film. Around the World in 80 Days. In Mexico, Mario Moreno, a young entertainer is struggling to get some respect, and he manages to become a star. A twist of faith makes them partners. Together they won the Oscar for Best Picture.

After turning 40, César is invited to a culinary contest in Cancún, but a bitter discovery threatens to destroy his family as well as his chances to win the competition.

Natalia and her friends go out one night out and end up subjecting a man to their sexual will. An essay on violence that revolves around three themes: power structures, machismo and the media.

Mexico’s half-forgotten B-movie master, “involuntary surrealist” Juan Orol (1897–1988), receives a pitch-perfect tribute in this deft, irresistible love letter to a self-made man of showbiz whose career spanned half a century and nearly 60 films. Abetted by an all-pro cast, del Amo’s brilliant interpretation of Orol’s life exudes a droll underdog charm, and almost every frame is an infectious homage to the golden age of cinema, the wiles of memory, and the art of fantasy.

Eight year-old Angelica bumps into a couple at the airport, insisting that they are her parents, which they deny. Who is right?