Vlastimil Fišar

​In 1947 Prague, Holocaust survivor Dita lives in a hostel for orphans, acting as a protective mentor to a younger girl while failing to fix her own shattered life. Unable to form lasting bonds or find a place in a society that has moved on, she drifts through emotional isolation.

To the intolerant and bloody-minded Prague actor Bergner (Milos Kopecký) is the lead in Moliere's Misanthrope which he is studying now as tailor-made. On top of that he is malicious and he advises to the new actress Helenka (Dagmar Havlová) in such a way that she upsets the theatre director. If Bergner accuses somebody of a mischief and he is wrong, he never apologizes. When he almost crashes an older elegant lady by his car on the zebra crossing, instead of an apology he calls her an old ballet dancer... But in Brno's TV he takes part in a discussion on manners and he gives himself as an example of good manners and grace. In the train he meets a magic old man (Ladislav Pesek) who warns him and admonishes him to change his behavior. After he arrives to Prague the old man's threat comes true.

The story of a marriage. Mrs. Rabbit constantly watches her weight and counts calories, but she also torments her husband with hunger. So one day, on the advice of her colleague, Rabbit decides to pretend to have a lover. He hopes that the wife will be jealous and stop dieting. So while the wife goes to a spa to lose weight, the husband is flattered and fattened by his single colleague, Majka, an excellent cook. But what happens after Mrs. Rabbit returns home?

The film follows Karel Novák, who is appointed as the head of a research institute's new department. His ambitious wife, Eva, sees this as an opportunity for social advancement. She quits her job, turns their apartment into a hair salon, and begins networking with influential people. However, her efforts entangle Karel in a web of shady business dealings, including a dubious connection with a foreign company, Djungarden. As misunderstandings and comedic mishaps unfold, Karel finds himself in trouble with the police, while Eva struggles to maintain control over their chaotic rise in society.

Hubert Hrabe, known as Smart Boy, is a Prague dandy who is always skirting the edge of the law. Like every likable rogue, he has a worthy adversary - Police Inspector Mourek, who has long been trying in vain to put him behind bars. However, this defender of justice, who is constantly trying to outsmart his "own" criminal, ends up becoming the victim of his own zeal while hunting forgers that are as good as any in Europe, as Hubert the Smart Boy, sets a trap for Mourek

Late at night Eva Trojanová returns home to an agitated husband; three days later, her body is found with bruises on her neck. Her spouse, missing after a business trip, becomes the prime suspect and flees to northern Bohemia. When investigators learn he is innocent, Captain Hart continues pursuing him, not as a criminal but as a desperate man whose plight may endanger himself or draw him into conflict with the law.

Two people scarred by a wartime past meet again years later during an archaeological dig. But the silent, inaccessible man in particular is reluctant to admit to anyone his harrowing experiences in a Nazi concentration camp, where he was the subject of horrific medical experiments.

Managers at the construction of a big hydro plant are accused of having embezzled money.

A car deliberately runs down a young man on a road by a small border town. The locals recognize the dead man as one of the students who were there on volunteer work some time before. The police detectives, Major Kalas (Rudolf Hrusínský) and Lieutenant Varga (Radoslav Brzobohatý) can then get on the trail of the people with whom the victim was involved, especially at the photographic studio headed by Bohuslav Pacer (Bohus Záhorský).

The story of the chief prosecutor Dr. Klapka - a self-confident, cold-blooded, calculating man who lives in the comfort befitting his position - and his attractive wife. Dr. Klapka sues the factory owner Muller for murdering his brother and, years ago, his mistress for selfish reasons. The prosecutor has no direct evidence and must rely only on his oratory skills to propose the maximum sentence. In his desperate attempt to win the trial, he grabs at every straw. In this case, such a straw is a mysterious exotic stranger with alleged clairvoyant abilities to read the writer's character from a manuscript just by touching it with his fingers.

The film was based on the novel "Milión" by Karel Štorkán. The book and the film depict the events surrounding the great construction disaster in Prague in 1928, in which 46 construction workers died. The disaster thrilled the entire republic at the time, yet was never fully explained. The filmmakers focus on the story of Ing. Vondrák, the designer of the construction.

Lying in the construction industry used to be a criminal offence, but skilful people could do a lot of things. This somewhat embarrassing tragicomedy convinces us that even builders should be honest. The protagonist here is a moral designer who occasionally drops in to sing to enjoy something other than work.

A smaller town has its own newspaper. The editor, Stanek, works there and is concerned with status and a comfortable life. His teenage son has his own problems and doesn't understand his father's attitude. Conventional morality without real critical passion.

After a bleak childhood, Jane Eyre goes out into the world to become a governess. As she lives happily in her new position at Thornfield Hall, she meets the dark, cold, and abrupt master of the house, Edward Rochester. Jane and her employer grow close in friendship and she soon finds herself falling in love with him. Happiness seems to have found Jane at last, but could Rochester's terrible secret be about to destroy it forever?