Matěj Dadák

Salzburg, Germany, 2000. The elderly Czech actress Lída Baarová tells a journalist the tumultuous story of her rise to fame in 1930s Berlin and her passionate relationship with the sinister Joseph Goebbels, Minister of Propaganda of the Third Reich.

33-year-old Roman decides to tackle his drug addiction by undergoing group therapy as part of a community holed up on an isolated farm in the Šumava mountains. Twelve people, men and women of varying ages and social status, voluntarily subject themselves to a tough regime under the supervision of three therapists. Many of them have stared death in the face already – overdoses, suicide attempts, and aggression heightened by the use of hard drugs, outwardly affecting even the strongest of them. Each brings something of his past into the group, which he has to experience again, both for himself and for those assembled. Past anguish, wrongs and guilt give rise to new problems: in this thickening atmosphere of suspicion and lies, who can still be trusted? This intimate psychological drama deliberately sets out to break up the tight narrative form through retrospectives in which we learn about the past life of each individual.

Three lifelong friends - Irena, who dreams of owning her own home; Marta, a pharmacist yearning to host a radio show; and Alex, who seeks a genuine relationship but becomes entangled with her charismatic, much-older boss - support one another through bold schemes to outwit romantic obstacles.

Former classmates gradually gather at the party. This reunion would probably be marked by light banter and nostalgic memories, but instead of another classmate, a door-to-door salesman rings the doorbell and brings unexpected news about a friend who will never arrive. The partygoers set off together by bus to visit him. During the journey, it becomes clear that talking about real feelings is much more complicated than it seems.

After missing a train, Danny, a perpetual student, and his Spanish boyfriend must wait in an empty train station with two homophobic Czechs, who do not realise that Danny understands their every word.

Lovers & Murderers is about the ongoing war between those who have and those who want to have what the others have. The have-nots see themselves as poor victims trying to get for themselves what is justly theirs. But when the have-nots become haves, they continue to see themselves as victims of the hordes baying for what is justly theirs, and they have neither the energy nor the security to enjoy what they have obtained. The movie takes place in the microcosm of a small apartment building. The principal goal of the young people who share rooms in the building is to move into their own room and, some day, a real apartment. They scheme to get what they're after: form short-lived alliances, petition, frighten, marry, become pregnant, anything that might work. Lovers & Murderers presents Páral's vision of mankind caught in a cyclical process in which ideology pales before the pettiness, cruelty, and self-justification of human nature.

Pavel has bad luck with women, and he has only himself to blame. He is unassertive and shy. He lives more in his imagination than in the real world. The only place where he is not afraid to approach women is behind the wheel of his car. And so he drives around the countryside picking up female hitchhikers. Here he is in control of the situation—a confident young man with a rich imagination. Now all that remains is to choose the right one. But hitchhiking can be dangerous not only for girls on the road, but also, under very specific circumstances, for those who pick them up. And Pavel has always been unlucky...

Set in Czechoslovakia, the drama follows the lives of its characters against the backdrop of real historical events that shape their personal stories. To evoke period atmosphere, the series intersperses authentic clips from vintage Czechoslovak film newsreels, using their original commentaries or newly recorded historical voice-overs by Vladimír Fišer. A narrator, initially voiced by Vojtěch Kotek and later by Matěj Hádek, provides continuity and reflection, guiding viewers through changing times. Under the guidance of screenwriter Rudolf Merkner, each episode’s script weaves family and individual dramas into key moments of Czech and Slovak history: political shifts, cultural trends, and social transformations from the 1960s onward.

Czech Century brings the key moments of the history of the Czech nation from 1918 to 1989.

Crime series about a police station in the city of Brno, in the period of the pre-war First Czechoslovak Republic. The stories are based on real case files from that era.

Alex Plan, a school ombudsman, strives for fair solutions for everyone, often going against the grain of the system and established practices. He advocates for people experiencing problems in education and tackles issues such as teacher murder and student sexual harassment.

The story focuses on a special unit of Czech intelligence, known as the Extraktoři (Extractors). The unit operates in secret and its main mission is to ensure the safe return of endangered Czechs from abroad. The story offers insight into the world of espionage and international covert operations and is inspired by true events.