Miro Grisa

Disciplined Italian composer Antonio Salieri becomes consumed by jealousy and resentment towards the hedonistic and remarkably talented young Salzburger composer Wolfgang Amadeus Mozart.

Dorota, a bad woman married the miller, out of sheer greed drives him to death. She then took the mill away from his son Peter and threw him out of the hime. Lucifer, who is known to rule in hell, sends out the devil Janek. He is supposed to fetch Dorota because the measure of her earthly sins is overflowing. But the devil himself can not handle this evil woman and flees to the military. There he meets Peter. By joining forces, they finally succeed in transporting the wicked Dorota to hell. Since then hell is hell. But for Peter, who is suddenly in possession of a magic mantle, begins a nice time, because strangely, the prince shows great interest in him.

The inventor and owner of the company "Neprasklo" (Unbreakable), Ing. Sýkora, wants to launch a revolutionary new product – unbreakable glass. However, his two greedy deputies have other plans – they eliminate Sýkora in the African waterfalls and attempt to sell the company to a foreign corporation. They replace the director with his doppelganger, the unsuspecting and unsuccessful extra Fanda Pažout. However, the villains have no idea that Sýkora is alive and returning.

Martin, a poor student, volunteers to go on a quest to find a cure for the princess Adriana, who is stricken with a strange illness. Unknown to Martin or anyone else, the princess is actually under the spell of the powerful magician Andlobrandini, who is preparing a rejuvenating elixir made from the blood of nine men's hearts.

Even under socialism, which proclaimed the equality of all people, there were status differences. A young bricklayer, who has fallen in love with a college girl from a "better" family, feels this first-hand - the girl's petty bourgeois parents are fundamentally opposed to an unequal relationship from their point of view. In protest, the young lovers decide to live in a tent for the time being and go straight to the park. The surprisingly clueless director Ladislav Rychman has tried to merge disco songs with a tame satire on modern-day rich people.

Švand, a room painter from Strakonice, begins a dizzying career as a pop music star, but he soon discovers that fame is not the most important thing in life or what he is looking for and what he longs for in life.

Saxony, devastated by the Thirty Years' War, is led by the comedy troupe of the principal Fortunato. The student Vavrinec has fled Bohemia and greatly values the text of Shakespeare's tragedy Romeo and Juliet, which he has acquired on his wanderings around the world.

A dramatic patrol car weekend on the streets of Prague's city centre. Lieutenant Josef Kabát and his colleagues drive through the centre of Prague every day in a patrol car. He loves his neighbourhood more than anything and wouldn't trade it for a more comfortable life in the office or at the control room. After a citizen calls the 158 emergency line, Kabát goes to various cases, be it accidents, thefts, disturbances or assaults. In one burglarized apartment, he finds the perpetrators' broken dioptric glasses and a torn piece of leather jacket. These are exactly the kind of things worn by his 18-year-old son Pavel, who coincidentally disappeared at the same time, allegedly with friends on a cottage holiday. However, Kabát has no time to deal with his family problems: there are too many thieves and shady characters roaming the streets of Prague. The worst of them are a couple of young men who have just raped and murdered an innocent girl...

Czech Century brings the key moments of the history of the Czech nation from 1918 to 1989.

Sanitka was a Czech television, drama series, first broadcast in 1984 and eleven episodes were made. It starred Jaromír Hanzlík, Tomáš Juricka and Zlata Adamovská among others.

Barrandov Studios, once one of Europe’s most modern film factories, became both a cultural refuge and a propaganda tool under Nazi occupation, churning out Czech comedies and romances to keep the public distracted while its actors mingled with German authorities. After the war, many of those same stars faced accusations of collaboration, their meteoric Protectorate-era fame tainted by the compromises they made to keep the cameras rolling under shifting regimes.