Marta Aura

In Mexico, two teenage boys and an attractive older woman embark on a road trip and learn a thing or two about life, friendship, sex, and each other.

The story of a dysfunctional couple, whose problems will inevitably deteriorate their marriage and their son's life.

A young girl recounts her girlhood and eventual marriage to a general of the Mexican revolution. by one of the most outstanding writers of the new feminist Mexican literature, it is at once a haunting novel of one woman's life and a powerful account of post-revolutionary Mexico from a female perspective.

On October 2, 1968, a student uprising descends into violence after the Mexican government begins to use lethal force against the protesters.

Four interwoven stories about love and self-acceptance: An eleven year-old boy struggles to keep secret the attraction he feels towards his male cousin. Two former childhood friends reunite and start a relationship that gets complicated due to one of them’s fear of getting caught. A gay long lasting relationship is in jeopardy when a third man comes along. An old family man is obsessed with a young male prostitute and tries to raise the money to afford the experience.

Family honor, greed, machismo, homophobia, and dreams collide in a small Mexican town.

Alcoholic prostitute Gloria is in the middle of a business deal with gangsters when a fatal confrontation occurs. She flees Mexico City, returning to her native Madrid, where she's reunited with her comatose husband and his mother, while hitman Eduardo is pursuing her to retrieve information.

The legendary life of Mexican singer Lucha Reyes is the basis of this fictionalized biography ( or as director Arturo Ripstein puts it "an imaginary biography"). Lucha Reyes was an unconventional, and sexually liberated woman, most famous for her "cancion ranchera" style singing. Her story begins in 1939, where at 33 she still lived at home with her mother, Dona Victora, the madame of a renowned Mexico City whorehouse. Lucha marries the liberal Pedro Calderon and then buys a beggar's daughter. She becomes the mother to this child, Luzma. Lucha craves lasting love like junkies crave heroin. But for her loyal daughter, she never finds it and in the end no one can help her.

It is the final decade of the 18th century in New Spain. We are in Mexico City, inhabited by local adventurers, native inhabitants and Europeans of every kind. In these surroundings, our characters, Jerónimo Marani, court choreographer, Giovanni, his mestizo son, and Victoria, the daughter of the most prominent family in the city, who is in love with Giovanni, live a life of love and aversion, court intrigue and popular grievances, Viceregal dogmas and dreams of freedom. Mexico´s war of independence is only a few years in the future.

Subsistence-economy slum guy who sells used newsprint for a living breaks into showbiz with an inadvertantly-comical fire-eater act. The novelty of him wears off very quickly, and then...

In a reinterpretation of Madame Bovary set on contemporary Mexico City, Emilia, a middle class housewife, tries to deal with the monotony of her life. One day, she loses the two things which makes everything beareable: her lover and her credit card.

"La Nueva Jerusalem" is a small community of believers lead by Papá Basilio and Mamá Dorita. They're waiting for the second coming of Christ, so they've abandoned the world, searching for a new spiritual life. Mamá Dorita sees in young Tomasa the signals of the chosen one. The young girl will be the new leader in "La Nueva Jerusalem".

Gina, a modern business woman in her late forties, has a lover named Adrian, a journalist, who she sees once in a while just to have sex. They are both attracted to the historic figure of Pancho Villa: he admires his power while she admires his virility. As Gina helps Adrian to write a book about Villa, she discovers the similarity between Villa's relation to women to that of Adrian and hers, and that Villa's revolution never included her, nor the rest of the female half of the human species. Can the love of a woman and a man survive machismo?

A woman is sent to Mexico to kill the person who presumptly killed her father.

A married woman, who's husband leaves her alone way too many times, is seduced by a junior spoiled young man, leading her into the fullfillment of her unsatisfied needs.

Alejandro Gerber Bicecci's "Vaho" (Becloud) tells the story of three childhood friends, Andres, Felipe, and Jose, and their lives in a dusty, run down corner of Mexico City. The boys were inseparable until they witnessed a tragedy that haunts them to the present day. The tragedy shaped each boy differently, and had a profound effect on their lives.

In a seedy brothel, their frustrations parade: A poet who has never published, a revolutionary who came late to history, a provocative angel, a bureaucrat with delusions of a dancer, a greedy Chinese man and his timorous wife, Monica, a prostitute with low professional esteem, a group of prostitutes of dubious sensuality and, finally, a priest with a stench of holiness and another with redeeming instincts. But a stranger with the air of a princess appears, and upsets the balance of the establishment.

Two young people, who knew each other in a previous life, meet again. Alejandro recognizes Yolanda, who is from a strange family that has the disadvantage of living a very long time, which is also to blames for the mysterious disappearance of his father. Alejandro embarks on an adventure to delve into the secret of his fathers’ death and in the meantime, wonder if he’s capable of abandon his life to fulfill his destiny.

After her husband leaves her for a younger woman, the helping of her caring, but cynical godmother, is not enough to prevent Julia from plotting her revenge.

The young trapeze artist Alma is part of the show of a miserable traveling circus. In an act of desperation, Alma commits incest with her father, a sick clown obsessed with the woman who abandoned them. Determined to have his child, Alma leaves the circus and joins a group of preachers led by Refugio, a woman who performs puppet shows with biblical passages in poor neighborhoods.

Julieta is a young child psychologist hired by millionaire Eugenio Ruvalcaba, to work with his only daughter, Sylvia, who has severe emotional problems, while staying in their isolated island mansion. Once there, she finds out there's much more to Sylvia's imaginary friend than what everybody knows... and the results can be horrifying... Remake of Carlos Enrique Taboada's classic film from 1969.

Luz is in jail, accused of murdering her own children. Her husband and her mother-in-law say she killed them in cold blood. Dr. Rebollar tries to help the woman, but she refuses to remember anything. Luz thinks of jail as the purgatory: it's only one step to reach the Heaven.

Four childhood friends decide to play a prank on an aunt of one of the four. Two enter the house and two others remain waiting in the car. When the alarm goes off, the two waiting in the car escape, leaving the other two to escape on their own. After that, the friends begin distrusting each other wondering what really happened during those three minutes in the dark inside the house.

Marina is a beautiful, sweet young woman who makes a living driving a tourist boat. Her simple life transforms when her mother dies unexpectedly and she inherits a large family fortune. Marina moves into an elegant mansion owned by the wealthy Alarcón Morales family, who treat her with evil, scorn and rejection.

Cenizas y diamantes is a Mexican telenovela produced by Eugenio Cobo for Televisa and originally broadcast on Canal de las Estrellas from June 4, 1990, to January 18, 1991. Created by Paulino Sabugal and adapted by Josefina Palos, the telenovela stars Ernesto Laguardia and Lola Merino. The story follows Celeste Ortiz, a kind and beautiful young woman who lives under the control of her ambitious stepmother Andrea and her stepsisters. Her life changes when she meets Julián Gallardo, a wealthy young man who also faces conflicts within his own family. As their love grows, they must overcome betrayal, family rivalries, and the schemes of those determined to keep them apart.

Una luz en el camino is a Mexican children's telenovela produced by Mapat L. de Zatarain for Televisa and originally broadcast on Canal de las Estrellas from March 30 to July 31, 1998. It is an adaptation of the Argentine children's telenovela El árbol azul (1991–1992), created by Mario L. Mortheo and adapted for Mexican television by Alejandro Orive and Carlos Daniel González. The story follows Luciana, a young girl who loses her mother at an early age and longs to have a loving family again. After meeting child psychologist Marcela, she becomes determined to bring her and her widowed father, Rodrigo, together. Along the way, they must overcome grief, misunderstandings, and the schemes of the ambitious Astrid, who seeks to marry Rodrigo for his fortune.