Prashant Prabhakar

The autobiography of a Somalian nomad who was sold in marriage at 13, fled from Africa a while later to become finally an American supermodel and is now at the age of 38, the UN spokeswoman against female genital mutilation.

The Yildiz brothers - Celal, Sami and Mesut - still live under one roof - despite their differences. The family bridal shop is doing really badly and they each yearn for a different life: Heartthrob Celal pines for his ex-girlfriend Anna and risks every last cent of their family inheritance for his dream of a mobile phone shop. Sami is searching for true love but ruins every blind date with his anger mis-management. And Mesut, the youngest of the three, tries to combine a cool music career with his strict adherence to the Koran. So when a sweet little baby comes careering into their lives, nothing is as it was before. The three young Turkish bachelors are given a crash course in responsibility.

The sequel of the "Men in the city" movie which reunites all the characters.

Software engineer Franz Tattenbach loses his job to cheap competition from India, and yet he suddenly has more to do than ever before.

The Dutch supervillain Freek van Dyk is keeping the world on tenterhooks - and the world's best secret services can only stand by and watch. Finally, the Turkish Ayran Secret Service intervenes. However, there is a mix-up, because after two of the ASS men are eliminated, ASS head Süleyman is looking for a "Süper agent" and mistakes the clueless Indian cleaner Ranjid for one. He actually just wants to cure his sick cow, but suddenly has to save the world.

Let's Get Divorced, Darling! Franziska Klaus (42) wants to divorce her husband Oliver (47). He is convinced that she has another guy. As a successful business woman Franziska would have plenty of opportunities. Whereas he, Oliver, looks after the house and their children, Anna (15) and Tim (17). But Franziska is only flirting with Maik, the junior consultant in the company. While Oliver sacrificed his dreams of being a painter in favor of his wife's career. While Franziska is in London with Maik, on business, Oliver meets his French teenage love, Sophie. As an art dealer she encourages him to start painting again. By and by Oliver begins to emancipate from Franziska, and finds his old self again, the daredevil he used to be. At the same time, in London, Franziska reconsiders - Oliver is Mister Right after all! .

After selling his soul to a sorceress Robin is killed in battle. Distraught over these horrific turn of events Marian and Little John attempt to resuscitate Robin and his Merry Men. In doing so they inadvertently have turned the one-time heroes into the living dead and worse, the ghostly reincarnations are now hunting down Marian and Little John. So the pair attempt to seek out a new potion that will free these tormented souls from their demonic possession.

TOXIC LULLABY tells the story of Eloise, who wakes up in a destroyed, life threatening world after a bad drug trip. She joins a group of people, who like her, are motivated by the longing to flee this nightmare, but it's hard to tell who'll carry the day, the survivors or the zombies.

The story of an unlikely friendship which leads an unemployed and xenophobic German to teach a young African immigrant how to ice skate.

The celebration of the 50th anniversary of “Capitol-Insurance” is due – that's what the bosses thought. All employees are invited to join the party in a hotel. However, rumors say the company's not doing very well. To avoid unemployment due to the possible shutdown of the smaller branch office the only option is to move to the headquarters. Now that's the ultimate challange for Stromberg, who is notoriously trying to be the example of a department manager, gathering all of his employees behind him.

During building work in the city of Baden-Baden in 2015, an evil troll who was transformed into stone in the 15th century, is accidentally brought back to life. To prevent being unmasked, the Troll slips into the body of Vanessa and enslaves her. Vanessa Troll then goes looking for Charlie, the virgin boyfriend of Vanessa's daughter, as The Troll needs his blood to evoke a portal to a magical prison. Will the Troll's plans find success?

Inge and Ludwig are full-time farmers in the Black Forest, with dairy cows and a dairy. Everything organic, all the highest quality. Despite the hard work, it is a fulfilling life. Would not it be the financial situation. As much as the two work, the debts devour them, the farm is endangered. Inge decides to look for a part-time job. When the opportunity arises to start with an escort service, she gets involved. And the plan works. But the relationship is put to the test when one of Inge's clients falls in love with her and the situation escalates.

Die Pfefferkörner is a German television series produced by Der Kinderkanal. The peppercorns are five friends from Hamburg: Jana Holstein Coutre, Natasha "Tascha" Jaonzäns, Philip "Fiete" Overbeck, Cem Gülec and Vivien "Vivi" Overbeck, Fiete's eight year old sister. After school, the young detectives meet at a high level of a spice warehouse of the company Overbeck & Associates, which belongs to Fiete and Vivi's parents in the first part, but is later given to Fiete and Vivi to look after. Here, in the historic warehouse district, the five friends have their headquarters. With smarts, combined delivery and support of the Internet, they find their cases here. The detectives convict polluters, animal dealers and drug smugglers. They also help each other with personal problems they encounter. Cem has lost his parents in a car accident and sometimes feels sad and lonely. Jana lives with her divorcee mother, a lawyer who is rarely at home. Natasha comes from Latvia. Her parents initially have very strict rules in terms of her education, that make Natasha unhappy. Fiete has problems showing his feelings and hides them behind grumpiness and hostility towards girls, until he falls in love with Natasha. Vivi is suffering from her role of the youngest member of the group. She believes that she must constantly struggle for recognition.