Mississippi John Hurt

Powerful music leaps from the air and can change the actual world. At the Newport Folk Festivals in the early 1960s, the molecules were electric with rebellion and democracy, with anger and hope. Musicians drove that change — Bob Dylan, Joan Baez and Pete Seeger but also banjo players from coal country, remote Georgia gospel artists, rural Canadian fishermen, and the opportunities created for the urban kids to mingle with those they’d not ordinarily encounter.

Black and white footage of performances, interviews, and conversations at the Newport Folk Festival, from 1963 to 1966. The headliners are Peter, Paul and Mary, Joan Baez, Pete Seeger, and Bob Dylan, who's acoustic and electric. Son House and Mike Bloomfield talk about the blues; John Hurt, Howlin' Wolf, and Sonny Terry and Brownie McGhee show its range. The Osborne Brothers perform bluegrass. Donovan, Johnny Cash, Judy Collins, Mimi and Dick Farina, and others less well known also perform. Several talk musical philosophy, and there's a running commentary about the nature and appeal of folk music. The crowd looks clean cut.

A travelogue through the Mississippi delta searching for the heart and the spirit of the blues.

A Man Called Hurt chronicles the life and influence of Mississippi John Hurt on the music world. Featuring interviews from Mary Frances Hurt, John Sebastian of The Loving Spoonful, Happy Traum, Guy Davis, Dom Flemons, and others, our hope with this film is not only to educate the world about the impact of this fascinating man, but also to raise money for the Mississippi John Hurt Foundation.

Travel the country in search of unknown 1920s artists, when the music of ordinary Americans was recorded for the first time, transforming music forever, in a three-part film narrated by Robert Redford, featuring Jack White, Nas, Taj Mahal and others.