Kike Díaz de Rada

Spain. The Basque Country. Sometime in the 90s. Josu Jon, a young member of a terrorist organization, has suffered an almost complete memory loss after being wounded in a shooting with the Spanish police. As he awaits for his trial, his condition is being treated at the prison hospital. Other inmates belonging to the same organization try to make him remember how brave a "gudari" -a Basque soldier- he is and how he must go back to the armed fight for the independence of their country as soon as he gets out of prison. Meanwhile, Xabier, a college professor who has been death-threatened by the terrorists due to his political views on the Basque situation, is having an affair with Francesca, a young psychologist who happens to end up trying to help Josu Jon recover his memory. A warm feeling of mutual affection grows between her and her patient. At a point, it doesn't seem to be clear whether Josu Jon really wants to recover his memory or rather forget forever who he actually is.

Roberto, well into his forties, producer of the program "60 Minutes", prepares for an investigative report on a crime that took place in the fishermen's district. After getting some shocking images from the scene of the event, he visits the Bombay, where he intends to interview Kiki, the transvestite who performs that night. Although Kiki refuses to appear on television, Roberto records images of him without his consent. When he receives the news that Kiki has been murdered, Roberto, affected by the event, begins to elaborate a report on the subject. This time it is a question of getting to the bottom of the matter...

Mugaldekoak is set in the early 40s, when, on this side of the border, the wounds of the Civil War were still open and, on the other, they were living under occupation by the German Army. The tale revolves around the Comète Network, an initiative developed during World War II on the border with Navarre: the clandestine evacuation of British pilots brought down in enemy territory.

Drama on juvenile delinquency, unemployment and drugs. Jon, a boy of twenty, gets up at seven o'clock and from that moment we can see how he lives the friendship, love, family relationships and his dark passion for drugs.

Yoyes, the first woman to hold responsibility positions within ETA, returns from exile in Mexico and try to rebuild her life. But her return is not easy.

During a football training, two friends celebrate a goal effusively, which causes an unexpected reaction in one of them.

Recounts the experiences of a middle-class family, the Alcántaras, during the last years of the rule of Francisco Franco and the beginning of the Spanish Transition to democracy.

La que se avecina is a Spanish television comedy created by Alberto Caballero, Laura Caballero and Daniel Deorador. The TV-series focusing around the inhabitants of Mirador de Montepinar, a fictional building located on the outskirts of a big city. Both its storylines and cast are heavily based on Aquí no hay quien viva, which ended when Telecinco bought Miramón Mendi, the series production company. The episodes debuted on the Telecinco network, and were later rerun by the same network as well as cable/satellite channels FactoríaDeFicción and Paramount Comedy. The series debuted in 22 April 2007 and became popular thanks to its funny characters, witty script, use of catchphrases and capacity to integrate and poke fun at contemporary issues; the program presents a caustic satire of many of the 'types' found in Spanish society. The name of the show involves wordplay, as "vecina" is the Spanish word for neighbour.

A caustic satire of many of the 'types' found in Spanish society.