Peter Jelosits

Movies4

• Movie8.0

  Music

  Gaetano Donizetti and his librettist Felice Romani kept the focus of their opera ANNA BOLENA on the personal rather than the political in this fictionalized Tudor tale: Henry VIII of England wants to get rid of his second wife, Anne Boleyn, so that he can marry her lady-in-waiting, Jane Seymour. He brings Lord Richard Percy, Anne's first love, back from exile so that he can find an excuse to accuse her of adultery. With the unwitting aid of Smeaton, a court musician, and Lord Rochefort, Anne's brother, the trap is easily sprung. This 2011 live recording from the Wiener Staatsoper showcases Anna Netrebko as she "scored a personal triumph" in her debut as the hapless Tudor Queen, while her stage partners - notably Elīna Garanča as Jane Seymour and Ildebrando D'Arcangelo as Henry VIII - were likewise showered with critical acclaim.

  Anna Bolena - Wiener Staatsoper

  2011 · 2 votes

• Movie7.7

  Music

  Felicity Lott, Anne-Sofie Von Otter, and Kurt Moll star in this production of Richard Strauss' opera, staged in Vienna in 1994. A romantic comedy of errors. Princess von Werdenberg must hide her affair with Octavian from her family; when he disguises himself as a chambermaid to avoid scandalizing the Princess, he is pressed into presenting a gift to Baron Ochs von Lerchenau, who has arrived to propose marriage to Sophie von Faninal. However, Ochs soon finds himself infatuated with the chambermaid, much to Octavian's chagrin, which proves to be only the first of a long series of romantic misunderstandings. This production of Der Rosenkavalier is performed by the Vienna State Orchestra and Chorus, under the direction of Carlos Kleiber.

  Der Rosenkavalier

  1994 · 3 votes

• Movie6.0

  from the Vienna State Opera

  Madama Butterfly - Wiener Staatsoper

  2016 · 1 votes

• Movie

  While a number of fine recordings of Moses und Aron exist, this unique DVD of the opera makes a staging of the work accessible, with a variety of camera angle, including a judicious mixture of close-ups and longer shots of the stage. The recording is all the more remarkable for its origins in a live performance, since audience sounds are almost negligible in the DVD. It is an exemplary presentation that merits attention for conveying the opera well. With the stage details intact, and the wide-angle shots planned to make the best use of the stagecraft, the Nickler production, prepared for television by Claus Viller, is a fine example of filmed opera. The sound is quite fine and brings across the nuanced direction of Daniele Gatti, whose efforts join the ranks of other fine interpreters of this work, including Pierre Boulez and Georg Solti.

  Moses und Aron

  Moses and Aaron