Arturo López

After Pompey's defeat at the Battle of Farsalia, Julius Caesar becomes the beacon of the Roman Republic and the master of its destiny; but many patricians want to avoid the birth of a tyranny and plot to assassinate him…

A view of the end-of-the-century Mexican family. A father who comes back home after a long absence, but who would rather be somewhere else. A daughter suffering from a trapped pain. A son full of guilt and recriminations. A little kid who soaks up all the tension in the house, like a sponge, and a self-effacing mother who would like to go away and leave everything behind.

Like every night, Manuel remembers the old days of glory, when after the war he was a famous bullfighter. He and his friend Juan were the fashionable couple. Now Juan is a prominent businessman in bullfighting. But Manuel's feelings toward him have changed radically: an inexplicable hated seizes him when someone mentions his name. It has been more than twenty years since that afternoon, when Manuel was bullfighting and fell to the ground.

In Spain of the 1960s, a poor family of quinquis - a nomadic ethnic group with a tradition as old as that of the gypsises of Spain but with even more obscure origins - have a nomadic life marked by poverty. The son, Eleuterio Sánchez Rodriguez, nicknamed "El Lute", steals some chickens and is condemned to six months in jail. El Lute moves to the slum outskirts of Madrid with his common law wife, Chelo, starting an itinerant life as a peddler of pots and pans and living in a quinqui shantytown. He gradually embarks upon as life of petty criminality, eventually participating in the theft of a jewelry store during which a bystander is killed.

"El Rata" is released from prison after having served a sentence for "political" crimes during Franco's dictatorship. Now, on the street and with very few opportunities to work, he decides to commit a crime again.

Inspired by the classic novel by journalist and writer Emilio Romero. Shortly before the outbreak of the Spanish Civil War (1936-1939), a group of Phalangist friends, who dream of a revolution to transform Spain, are dedicated to spreading their ideas among the population. As war begins, one of them, Lopez, is about to be shot, but is saved by a Republican. Then he joins the national side. After the war, an old comrade encourages him to involve in an operation to destroy the maquis of Asturias. Although he is married and has children, he accepts the proposal, infiltrates among the guerrillas and convinces them that he will provide weapons to continue fighting.

In a sector of Madrid inhabited by families of a well-off class, a gang of boys and girls has continuous fun, sleep and drink, while their parents ignore practically everything. However, each of these young people has, to a greater or lesser degree, a problem. The parties and parties enjoyed by a group of young people from the upper class are the basis of the story that explains this film. Among them we find the famous couple, once happy, formed by Carlos Larrañaga and María Luisa Merlo. Directed by Fernando Palacios, and with a script by Rafael J. Salvia and Pedro Masó, " It's always Sunday " has no greater intention than entertainment, despite giving history a certain sociological touch, for that of valuing the behavior of the Youth of the time.

Padre Manolo, priest, magician and singer, starts a private investigation on what seems to be a murder...