Manon Capelle

An Irish undertaker profits when outlaws take over a peaceful town, but his own family come under threat as the death toll increases dramatically.

Agathe Langlois, Parisian until the end of the nails well varnishes, is delighted: she is going to be confirmed as a professor of English. The happiness of the good news will not last as she learns that she is deployed to the countryside.

Paul is a chubby kind-­‐hearted amateur detective. Dorothy is an intense upper class teenager. Paul is into quoting Sherlock Holmes and watching Derrick. Dorothy is into punk clothing and hating her mother. Paul is forty three, Dorothy is sixteen, and the only thing that links them is Paul’s knowledge that he is Dorothy’s biological father… over time, this has grown into a one way relationship with Paul spying on Dorothy as she grew up, always from a safe distance…They would never have met if Dorothy hadn’t heard of Paul’s amateur detective skills. She wants to use him to find her father…

Fired for insubordination, PJ Antoine Verlay, good cop but a blood strand and having difficulty working as a team, is attached to the OCBC (Central Office for the fight against Traffic in Cultural Goods) thanks to the intervention of the commander Pardo, his friend who becomes, therefore, his new superior. A clever investigator, but a stranger to everything related to culture, Antoine will have to work with Florence Chassagne, renowned art historian, who lives, speaks and breathes culture, to the point that - fruit of her great imagination - it happens to her in the midst of daydreams, to see and talk to the great artists who have disappeared as if they were familiar to her.