Regina Braga

The series surrounds the damaged relationship between a saxophonist and a woman who falls in love for a former boyfriend, whom she had left to marry him.

Enemies since childhood, André Spina and Ariclenes Martins became Jacques Leclair and Victor Valentim and now compete for the spotlight in the fashion world.

Helena is an independendent woman with strong emotions. More than a dedicated mother, she is also a friend to her daughter. Her daughter is experiencing difficulties in her marriage with Marcelo because of his renewed interest in a formoe girlfriend. Marcelo‘s mother deslikes Helena and would like nothing better to see her son‘s marriage destroyed. Helena starts her life over again when she falls in love at first sight with Atilio, whom she marries. Although of poor health, her daughter wants to have a baby, believing that by fulfiling her husband‘s dream, she can save her marriage. As fate would have it, mother and daughter fall pregnant at the same time, each giving birth to a boy.

The plot tells the story of Celestina, an angel responsible for Brazil. When threatened by God with being sent to the country she was supposed to help grow, she despairs and seeks out her friend, the angel Gabriel. To help Celestina, Gabriel asks the Almighty to let her stay in heaven for another six months. God, however, imposes a condition: Celestina must make a Brazilian citizen more honest, dignified, and compassionate, without disrespecting the free will that every human being should have. To fulfill her mission, Celestina chooses the swindler Maria Escandalosa, a charismatic, beautiful, and kind-hearted young woman, daughter of the equally swindler Tomás Euclides. Convinced that she will transform the girl's character, Celestina disobeys divine laws and saves her from an explosion, then begins to watch over the young woman's life on Earth.

Juscelino Kubitschek was born in Diamantina. Rising from a humble childhood to become a respected physician, he married Sarah and began the journey that would lead him to the presidency of Brazil.

When she was a young girl, Heloisa was harshly torn apart from the love of her life: Pedro, a straightforward romantic young man whose powerful family strongly believes the ends always do justify the means. Because she comes from a very humble background, Pedro's parents set up all kinds of intrigues in order to prevent the couple from fulfilling their seemingly predestined love story. Twenty years later, all it takes is a casual encounter to spark that feeling again and have them fighting against not only Pedro's family tricks, but also Heloisa's mighty and unscrupulous husband.

After the breakthrough success of 'The Cariocas', the spin-off 'The Brazilians - The Women' embraces all the diversity of Brazil and its women. Powerful, fragile, funny, protective, beautiful, talented, insightful, and especially unique; they all have a certain charm. No matter what their birthplace, age, lifestyle or preference, these remarkable women have one thing in common: they are Brazilian. Brilliantly witty and entertaining, every independent episode provides an exclusive look at the life experiences of the women who inspire everyone.

Christian and Renato are identical twins who have opposite lives: Christian grew up in an orphanage and is underemployed, struggling to survive. Renato was adopted by a rich family and had everything that money can buy. When they meet again as adults, a tragedy happens: Renato is murdered and identified as Christian who, in turn, takes the place of his brother. However, to this end, he must leave behind his identity and his great love.

Malu is organising a gender-reveal party for a pregnant influencer – while dealing with her own grief, her persistent constipation problems and her adolescent transgender child (who disapproves of her job commission). At the condominium where Malu lives, some strange phenomena are unleashed in the home’s most private zone: the bathroom.

Besieged by cancer and nearing the end, the genius Argentine-Brazilian filmmaker Héctor Babenco (1946-2016) asks Bárbara Paz, his wife, for one last wish: to be the protagonist of his own death.

Julio is a peaceful, uptight dentist who planned his life 80 years in advance. Suddenly dumped by his girlfriend, he also finds out he is the son of a womanizer, a popular singer of the 1970s, and the brother of an intense gay musician, both of whom he never knew—until now.

Jéssica is a simple young woman, dedicated to her job at an antique shop in Rio de Janeiro, but she feels her life lacks purpose. Everything changes when she finds a mysterious locket identical to an item she inherited from her late mother. Driven by the desire to understand the connection between the locket and her family history, Jéssica teams up with Gabriel, a distant relative who appears unexpectedly.

Biographical film of Sister Dulce, who, in life, was called the “Good Angel of Bahia”, also nominated for the Nobel Peace Prize and canonized by the Catholic Church. Contemplating from the 1940s to the 1980s, the film shows how the Catholic nun faced an incurable respiratory disease, machismo, the indifference of politicians and even the dogmas of the Church to dedicate her life to the care of the miserable, leaving a legacy that continues today.

After ending his long-term relationship, Antonio is sure that he can quickly get over Sofia. But nothing is as simple as it seems. And realizing the impossibility of controlling his own feelings, he begins to boycott them, using all sorts of contemporary palliative measures to free himself from the memories of his ex: cognitive psychoanalysis, prescription drugs, Tinder, among others. Ergo, Antonio will go through several tragicomic situations.