Alexandros Koliopoulos

The Haritou family's ancestral home was initially inhabited only by the unmarried youngest daughter, Irini. However, in the first episode of the series, her older and widowed sister, Olga, moves into the same house until the construction of the new house she is building is completed. Although initially they thought that her move would be temporary, it eventually became permanent for the entire series. At the same time, the middle daughter, Maria, decides to move into her ancestral home and stay with her sisters, because she caught her husband, Yannis, red-handed with her best friend.

A couple after thirteen years of marriage decides to divorce due to a mismatch of characters. He, Antonis, a technocrat, former leftist and now conservative, is convinced that women are children of a lesser God. His wife, Cleopatra, after thirteen years of submission, is revolted by her lawyer friend - a fanatic feminist - and claims conjugal privileges. Their two children, Giorgakis and Lina, the in-laws and of course the family friends are involved in the couple's life and its problems, further upsetting the already troubled family atmosphere.

A modern day treasure hunt for a mystical relic that turns into a love story for all time.

A lonely and excentric man discovers that the murder he fantasizes about has been carried out by a serial killer, and decides to make his fantasies reality and pin it on the suspect.

Two young women, who live in a provincial town in Thessaly, come of age in their own unique ways. Through flirtations, unrequited love, sexual urges, misunderstandings, and excesses, the two friends quickly realize that their future lies far away from their provincial town. Armed with hope and dreams, they set off for the big city and its opportunities.

In Occupied Athens, a German woman, the wife of a Greek officer, falls in love with a teenage Jewish ice vendor. Love becomes fate: the woman dies and is reborn, living two lives in a world that is rapidly changing.

Four episodes, four instances from a man’s life covering 25 years, from 1965 in Germany to 1990 in Athens. The episodes seem to be irrelevant to one another, yet they all focus on male powerplay, reveal the self-consciousness and moderation of the protagonist’s idiosyncrasy and depict some special aspects of the Greek male mentality. Probably Nikos Panayotopoulos’ most personal film, covering a substantial period of his generation’s years, “I’m dreaming of my friends” is based on the book by Dimitris Nollas, looks a lot like a “road movie” and features an all-male cast, as if there’s no room for women in it.