Akira Kobayashi

In the teeming black markets of postwar Japan, Shozo Hirono and his buddies find themselves in a new war between factious and ambitious yakuza.

As Japan gears up for the 1964 Olympic Games, the cops start to crack down on the gangs, under pressure from the public and the press, adding a new dimension in the war for power among the yakuza families of Hiroshima.

Mid 50s: the trials and tribulations of Shinsuke Ibuki, freshly arrived in Tokyo from Kyushu.

With a Kansai syndicate setting their sights on Tokyo, a former yakuza boss gets dragged back into a world of violence.

Saheji, a man-about-town, gets stuck at a high-class brothel when he can’t pay the bill. He makes the best of his situation by performing various tasks amidst the tumult of the end of the shogunate—but always by making sure to get a “commission” for his troubles.

While Hirono is in prison, his rival Takeda turns his own crime organization into a political party, whose two executives stir up new tensions in their thirst for power.

Shozo Hirono has managed to separate from the Yamamori family and create his own small family, and extend his circle of acquaintances. These new friendships include a powerful underboss of the Muraoka family, Noboru Uchimoto.

Around Ginza there is a night-city of bars and cabarets, hostesses, customers. Assisting to keep order here is Kagari (Akira Kobayashi) who specializes in the women, their problems and troubles. He has saved many a girl from blandishments of pimps, makes customers pay up and women play straight. So he is called 'the woman's police-man' and he takes his job seriously. One day, Chiyoko (Yukiyo Toake), a former hostess, comes to him. Her husband has been murdered and she wants help. The man had been a college classmate and Kagari decides to do what he can. In his investigation he overturns a whole nest of intrigue. Men he had thought irreproachable turn out to be corrupt; solid citizens are seen as the worst kind of scoundrels. Until now, Kagari has specialized in women and their problems. But, realizing the real state of affairs, he rolls up his sleeves for a good cleaning- up-at the same time discovering the murderer of his friend.

The 224-minute compilation edition of Battles Without Honor and Humanity compiles these four movies: Battles Without Honor and Humanity, Deadly Fight in Hiroshima, Proxy War, Police Tactics.

Reiko, who tolerates abuse in her marriage to a man 23 years her senior, is friends with Mayumi, a beautiful widow. Reiko meets her husband’s business rival, a young, capable businessman, and falls for him. Meanwhile, Mayumi enters into a relationship with Shimotsuma, a friend of her late husband.

Seijun Suzuki became a cinema legend in the 1960s with a handful of pop-art films. So how can you make a portrait of this iconoclastic director without also adopting a 'style to kill' documentary convention, as well as testimonies from a variety of leading figures in contemporary Japanese and international filmmakers.

A 1970 crime film.

Vice Admiral Takajiro Ohnishi could see that Japan's defeat in WWII was inevitable. He came to realize that the only way to force a negotiated solution was to convince the Americans that invading Japan would cause massive casualties on both sides. The cold logic of suicide attacks, where one man and one plane could kill hundreds, seemed the only solution. In one of the cruel ironies of fate, Ohnishi actually succeeded; he convinced the Americans that invading Japan would be too costly in lives. But what he could not foresee was that America had another way of ending the war.

Mainly the story of Shinsuke and his stepmother, ranging from Shinsuke's infanthood to his mid-teens. Coal workers and the mines dominate nearly every aspect of the life of the characters. Shinsuke's father dies while bravely using dynamite to rescue a group of trapped Korean miners. Several older men attempt to help he and his mother cope, including a kind Korean and a Harley-riding yakuza.

A story about the development of a bright and strong yakuza. Otaki is an old-fashioned respectful yakuza who tries to protect his small yakuza family. When his boss gets shot, he decides to go after the plotters.

A tale of wannabe yakuza youths. When not cooking up scams with his buddies, Zenkichi develops a crush on Taro's disgusted sister, Miki. But soon the young hoods run afoul of their underworld idols when they rob the wrong gang, led by brutal boss Konno. When Zenkichi's pals start to bite the dust, he hooks up with a more traditional yakuza, Tetsugoro, to retaliate.

The 3rd film of the famous "Wataridori" (The Rambler) series from Nikkatsu. The young rambler, Shinji Taki (Akira Kobayashi), with his guitar arrives in Sadogashima Island, Niigata, Japan. Of course, Shinji meets yet another beautiful girl named Noriko, who closely resembles the famous actress Ruriko Asaoka again. Of course, Noriko is in trouble. Of course, Shinji's yet another skilled rival named "Tetsu, the Gunman" comes to Sado shortly. Of course, the villain tries to kill Shinji and Tetsu. Of course, Shinji solves the problem and leaves Sado suddenly.

Ryu (Akira Kobayashi) sets foot on the Yokohama port with a suitcase filled with 300 thousand dollars. He was sent by a jewelry company in Hong Kong to retrieve a certain diamond that was stolen from them. The "Himalayan Star" is worth couple hundred million yen and unbeknown to Ryu, it now lays in the hands of Aizu (Jo Shishido), the infamous ”Pirate of the Tokyo Bay."

The young rambler, Shinji Taki, with his guitar arrives a hot spa town at the foot of Mount Aizu Bandai. Of course he solves the problems in the town while encountering the sinister rival, Masa "the pistol guy".

Amidst Japan's postwar economic boom, yakuza factions in Osaka fight for survival when Japan's largest crime syndicate plans a hostile takeover.

Rambler Shinji arrives in town armed with nothing but a guitar. With assistance from an old gun-for-hire friend, he sets about to stop the mob from turning an honest ranch into a gambling resort.

Handsome young Katsuta tries to follow the yakuza code, but even his boss doesn't believe in it. Diamond Fuyu is less ethical, and allows the idiotic Tetsu to trick a schoolgirl he fancies, Hanako, into a type of bonded prostitution. Because of gang conflict, the Izu family (to whom Katsuta belongs) has their last gambling den taken over, and he seeks revenge. This brings him back into contact with a former lover who is also a card trickster - she is also Diamond Fuyu's sister, and is now married to Okaru-Hachi, who has mastered a clever card cheating trick called Okaru, which involves the deft use of mirrors.

The series tells The story of the 1609 invasion of Ryûkyû by forces from the Japanese domain of Satsuma, an event which changed the course of Ryukyuan history dramatically.

Worried about the state under heaven and lamenting the decadence of Bushido, the shogunate daimetsuke Inuijuzaemon (Shogo Shimada) decides that the only way to reform the shogunate is to cure it by force. Led by the leader Gennosuke Inui (Asahi Kobayashi), four men and women are summoned from the national government to organize a secret investigation agency. The four of them base themselves at Azamiya, a cooking tea house in Fukagawa, and take root in a corner of the city to expose the great evil that pervades the dark side of civil society. [TV series] (C) International Broadcasting