Johanna Rosaly

Short film from David Aponte

Three stories ("Lo mismo de otra manera", "Félix", and "Te tengo una sorpresa") that delve deeply into issues such as human solidarity, infidelity, and social conflicts in contemporary Puerto Rico.

Santiago, a retired accountant, casually meets Angelina during one of his daily walks in Old San Juan. They soon become friends, even though she refuses to give out any personal information.

Worried about her relationship, a woman flies to Puerto Rico to "surprise" her fiancé on his work trip, only to find he has mysteriously vanished. She searches the island to uncover the secret behind his disappearance.

*"El quinceañero de mi abuela"* is a story that brings together three generations of women through family love, highlighting their existential and generational differences with a touch of humor and emotion. The film will offer the audience laughter and a valuable lesson on the importance of celebrating life at every stage.

Selva is a prominent television host and her husband is a successful producer. Together they will embark on the adventure of producing a film, which will mirror their own passions.

The love of two young people is prevented by the envy and resentment of a greedy man and his evil son.

A mother and daughter duo dramatically impacted by dementia. Carmen is a 75 year old woman in the early stages of the disease. Laura, her eldest out of four children, lives a hectic life. But, she always makes time to take care of her mother. Things get more hectic for Laura when Carmen can't find her precious emerald ring, a gift from her beloved husband Sebastian.

Documentary that celebrates 100 years of cinema in Latin America and talks about the origins and the development of cinema in this subcontinent. Its structure is based in 12 short films directed by various Latin American directors. These are: 1) "Los inicios", Iván Trujillo 2) "Cuando comenzamos a hablar", María Novaro 3) "Jugando en serio", Jacobo Morales 4) "De cuerpo presente [Las espirales perpetuas del placer y el poder] Cine Mexicano [1931- 1997]", Marcela Fernández Violante 5) "Cuando quisimos ser adultos", Edmundo Aray and David Rodríguez 6) "Cinema Novo", Orlando Senna 7) "Memorias de una isla, Juan Carlos Tabío 8) "Un grito, 24 cuadros por segundo", Julio García-Espinosa 9) "El día de la independencia", Federico García 10) "¿Sólo las formas permanecen?", Fernando Birri and Pablo Rodríguez Gauregui 11) "Todo final es un principio", Andrés Marriquín.

Angélica has spent her whole life escaping from her mixed racial identity, but a family crisis forces her to return to Puerto Rico and rethink her life.

Facing financial ruin, four siblings decide to sell the valuables within their mother's house, without telling her and by embellishing their history.

A man shares his apartment with his elderly mother. He puts a Doris Day record, "Que sera, sera", and his life walks by in a flash.

In the night of her fifty-four wedding anniversary, Rafaela finds out that Angel, her husband, has recently visit his ex-lover. This incident awakes old emotions, but at the same time brings a big surprise.

The plot revolves around Cristina Bazán, a young woman who grew up in a boarding school with her sister Âmbar, an evil and envious woman. Cristina believes that her mother is a successful and busy woman, however, she does not know that in the past, her mother was forced to abandon her after going to prison. Âmbar is Rodolfo's fiancée, however, she cheats on him with her best friend Miguel Ângelo, a doctor in medicine. Submissive to her sister and stepmother, Cristina is silently in love with Rodolfo, who little by little begins to see the young woman with the same eyes, while she is always mistreated by her sister and stepmother Rosaura.

Three stories that narrate the normality of life in all three types of urban post-industrialization developments in Puerto Rico, the parcelas, caseríos, and residenciales.