Paulo Jordão

José Pedro de Freitas, better known as Zé Arigó, was a simple man who lived with his wife Arlete in Congonhas, Minas Gerais. During the 1950s, a time when Spiritism was not as well known and respected in the country, Arigó became a symbol of hope through his surgeries and spiritual cures. Based on a true story, Arigó, with the help of the spirit of Dr. Fritz, performed numerous spiritual surgeries on people from Brazil and the world.

In the city of São Paulo, the routine of gravedigger apprentice Deodato changes when a new working girl arrives at the cemetery. Together, they must re-register the abandoned tombs, but strange events make the apprentice wonder about the consequences of messing with the dead.

A film in which dream and reality intertwine, A Moça do Calendário tells the story of inácio, 40, married, without a permanent job. Ex-street sweeper, he works as a mechanic at Barato da Pesada, where he dreams of the calendar girl.

Young gravedigger apprentice Deodato's job is at risk. The other gravediggers doubt his ability to do the work. His uncle Jaca tries to make him appreciate the job, but it's useless: the work distresses Deodato, who has artistic aspirations. He prefers to play the church organ in secret and wander around the cemetery writing poems. After fainting during one of the burials, he is called to the office, where he is confronted by Aloizio, the cemetery administrator...

A hardworking physical therapist, Adriana is facing multiple challenges at once. After being fired from the clinic where she works, her house is hit by a flood that ends up killing her husband, Carlos. Now homeless and struggling to support her family, Adriana starts working for the Brandãos, a traditional wealthy family from São Paulo, as the caregiver for Artur, the grumpy patriarch. The millionaire jeweler, known for driving away every employee, gradually forms a genuine bond with Adriana, who must also deal with the distrust of the rest of the family.