Zoltán Bezerédi

An adaptation of the classic, "The Prince and the Pauper" is the retelling of Edward Tudor and young Thomas Canty, two amazing look-alikes caught up in imperial intrigue and scandal. In fleeing from his violent father, Tom stumbles into the palace courtyard, and is seen by young Prince Edward, who takes him in. Each desiring to see what the other's life is like, the boys impulsively switch identities... little knowing what disaster lies ahead at this fault of thought. And soon Thomas becomes a pawn in the hands of Edward's malicious and greedy uncle, who would have the kingdom for himself.

When Vera’s home suddenly burns down, her only purpose becomes to find her cat — likely lost in the fire. The search through the ruins and Vera’s journey through the night forces her to confront not only loss but also the suffocating dependence on parent figures that has defined her life so far.

Béla, the bad guy, is released from prison and decides to get back on the right track. But the first person he encounters is his old friend, Feri Buczella, whose brother has just arrived home from America with a suitcase of dollars.

A generous and stubborn elderly boxing coach gets along with everyone except his own son. They're reunited after the death of the old man's wife and forced to face old grievances.

1958. In the cell of the condemned, seven men await the signs of an approaching execution. All of them recall their pasts and envision their wish-dreams.

19-year old Dani Papp lives with his father Tibor, a sex-obsessed and hedonistic gynecologist who pushes his young son to follow in his footsteps. Dani is his exact opposite, shy and romantic, looking for true love instead of sex. A trip to France to visit his musician uncle helps him to understand his own personality and his relationship to his father.

The police hire a convicted bank robber to crack the Ministry of Interior's vault during the final days of the 1956 Hungarian Revolution. But what they find inside is quite different from what they were expecting.

The heroes of the film are manual workers, members of a Socialist Brigade. Gyula, the brigade leader once has a dream where the gate-keeper searches through Lenin, about to leave the factory. He decides to stage Gelman's play, Premium, with his brigade, since the drama very effectively depicts what they see in the world around.

Gertrúd is a middle-aged music teacher. She lives with her art-restorer husband and their teenage son. She is weary of family life, and her relationship with her husband leaves much to be desired. Gertrúd’s settled world is turned upside down when a former student of hers, the beautiful Albán, suddenly shows up. Her presence prompts questions about the past, present, and future. Reality, memories and dreams intermingle dangerously, and the old family roles slowly begin to change. “I wanted this film to be like an enchanted box full of stories and surprises”, Péter Gothár explains. “Its drawers are meant to open in a mysterious rhythm, offering joy and food for thought. First, there was the music of Bartók, which then became the film's main organizing element. It formed around the music – this whole family story full of love and irony”.

The unskilled, jack-of-all-trades András and his wife, Éva are put in jail for serial work-place thefts, -committed in order to try to ensure a normal living standard for his family - and for aggravated assault committed for self-defence, respectively. Their two small children are put in state care, then given to foster parents. András, still in prison, commits everything to help the released Éva get hold of an apartment and get their children back so that when he will have served his term the family could be together again.

A humorous career story in which an overlooked actor is unexpectedly asked to go from being the "eternal extra" to becoming the theatre's leading director. From there, he begins to fight not only for his own dreams, but for the company as a whole. Set in today's theatre world, this surreal satire reveals what the protagonist can do with a brand new assignment that is fraught with pitfalls, and what his colleagues think of him.

Divided into two different halves separated by mood and subject matter, this is an uneven drama about the experience of one Hungarian Jew before and during the fascist takeover of Budapest. The hero Pali (Zoltan Bezeredi) arrives back in Budapest from the U.S. and meanders among the intellectual and social elite before he leaves for a brief stay in England. There he has an even briefer affair with a happy-go-lucky aspiring actress (Anna Kubik), and after a few other encounters with movie mavens, he heads back to Budapest -- quite inexplicably. The rest of the film deteriorates into a dark realm of hatred and violence.

After her husband is assassinated, housewife Nóra reluctantly has to take charge of the criminal business of her family.