Petr Hanus

There are still water spirits among us. One group lives in Prague, led by Mr. Wassermann, who is using his wife's family as a servants. All they need is their old house near the river. But the house is to be demolished. They have to stop it. And the only way is to drown Dr. Mrácek, who is responsible for the demolition. But he falls in love with Wassermann's niece Jana. He changes to fish, is mistaken for water spirit from Germany, is drowned and revived again. The other problem is the flour with ears... and so on...

Soviet engineer Kuznecov is coming to Prague as an expert on work with the tunneling shield in construction of the metro. He is returning after more than thirty years. In May 1945 as a young soldier in the Red Army he was seriously injured in the liberation of Prague and while recovering experienced a great love with a young teacher called Vera.

A thriller loosely based on one of the most violent Czech criminal cases of the nineties, popularly known as the Orlík murders. The film delves into the motivation behind the killings, exposing their exceptional cruelty and an absolute absence of moral values. The perpetrators executed four people on their way to achieving material gain. Two of the bodies were found at the bottom of Orlík reservoir, the third perished in a bomb blast, and the forth was shot at home...

It is 1920, political unrest is growing in Prague and the Social Democrats are about to betray their historic mission by prioritising their own selfish interests instead of those of the working class. An extortionist scandal falls on the Social Democratic deputy Jandák, forcing him to renounce his convictions. Under these circumstances, the seriously ill Hungarian revolutionary Kerekes, who had to flee his homeland, is hiding in Prague...

This story from the time of the occupation tells how the students of the teachers' institute decided to hold a traditional ball despite the ban. However, they had to cope with conditions more than threatening: the presence of Nazi thugs who intend to execute captured partisans as a warning...

In this fantasy with dragons and flying machines, 10-year-old Marta is determined to find her brother who was kidnapped at Christmastime by a fake Saint Nick because the little boy is blessed with the ability to locate gold. A kindly, wise philosopher-type by the name of Orlando joins Marta in her search, and together they survive a gigantic sleeping dragon and imprisonment in a tower with no clear means of escape. They overcome that hurdle, but later on, Orlando succumbs to the evils of The Plague (an all-consuming woman!) and Marta continues on her search alone. Eventually, she does find her brother -- but that only introduces problems she had never considered.

The opera lady singer Ema Destinnová is in all her splendor at the American stages. But in Europe there rages war and she decides to return home to Bohemia.

Car transport of the locomotive is difficult, as the cargo is bulky. The three-man crew of the tractor therefore experiences many difficulties on the long journey across Bohemia...

The distressing fate of the Czech great Jan Amos Komenský, forced to leave his homeland after the White Mountain disaster. It depicts his encounters with various European personalities of the 17th century - the Queen of Sweden, artists and scientists. It emphasises the hero's nobility, but also his inner resilience, which allowed him to overcome many personal and professional tragedies. The parable of The Labyrinth of the World and the Paradise of the Heart becomes part of the story. However, Comenius's concept is sculpturally lifeless and, in particular, the religious dimension is "erased" from it. The simplistic biography therefore does not avoid schoolboyish dryness.

Ivan is shooting a documentary for the film school. His subject- girls and women working in the local beauty salon. Among them is his childhood friend Eva, who needs to find a model for the upcoming hairdresser contest.

The film tells the story of an enthusiastic young man who joins a textile factory in the late 1950s and assumes that a promising career awaits him - the protagonist is therefore constantly comparing himself to his favourite literary model, the equally ambitious Julian Sorel from Stendhal's fresco The Red and the Black. The result, however, lacks the necessary conviction, the ability to draw the viewer into his world, and remains too contrived, as the chosen period has become a mere non-committal backdrop for amorous games.