Manuel Fraga

Spain, 1966. An English teacher who travels to Almería when he hears that John Lennon is making a film there befriends with a 16-year-old boy who has run away from home and a young girl who also seems to be running away from something.

A trapeze artist must decide between her lust for Sergio, the Happy Clown, or her affection for Javier, the Sad Clown, both of whom are deeply disturbed.

A film work made up of two different documentaries based on the same concept, made about and with the participation of Manuel Fraga and Santiago Carrillo.

A vindication of the role of the technicians and artists who made spaghetti western genre possible, and a walk through the landscapes that made it possible to recreate in Spain, mainly in the desert of Almería, hundreds of adventures set in the remote American Far West.

The films are a critical view of the social, economic, political, cultural and employment situation in Galicia. They have been made through the voluntary work of all the participants, including actors and actresses such as Luis Tosar and Mabel Ribera. People who have something to tell, and have chosen the screen as their medium.

An account of the childhood and youth of the Peruvian writer Mario Vargas Llosa, Nobel Prize for Literature in 2010, and how the hard experiences he lived during these formative years led him to write and publish his first major work when he was only 26 years old.

Finally, 33 years later, the whole truth behind the attempted coup d'état that shook Spain on the afternoon of February 23, 1981, is revealed by those who lived through those dreadful hours; a deep look behind the heavy curtain which hides the real mastermind, waiting to be unmasked.

Recounts the experiences of a middle-class family, the Alcántaras, during the last years of the rule of Francisco Franco and the beginning of the Spanish Transition to democracy.

World in Action was Granada Television’s flagship ITV current affairs series, running from 7 Jan 1963 to 7 Dec 1998, and built a reputation for film-led investigative reporting and a forceful editorial stance. Its journalism produced major public and political repercussions—including investigations associated with miscarriages of justice such as the Birmingham Six—and it also served as a platform for landmark documentary projects, including the first broadcast of “Seven Up!” as part of the strand in 1964.