Kester Lovelace

Nine translators, hired to translate the eagerly awaited final book of a bestselling trilogy, are confined in a luxurious bunker.

We follow 24 hours in the life of a being moving from life to life like a cold and solitary assassin moving from hit to hit. In each of these interwoven lives, the being possesses an entirely distinct identity: sometimes a man, sometimes a woman, sometimes youthful, sometimes old. By turns murderer, beggar, company chairman, monstrous creature, worker, family man.

In the near future where emotions have become a threat, Gabrielle finally decides to purify her DNA in a machine that will immerse her in her past lives and rid her of any strong feelings. She then meets Louis and feels a powerful connection, as if she had known him forever.

Ostriches carry on their daily activities burying their heads, believing it’s an instinctive behavior. However, one day research by phylogeneticist Dr. Kays proves otherwise.

A true sports story that utterly defies the odds, Duguay’s film captures the wild ups and downs of the Olympics-bound career of legendary equine star Jappeloup and his troubled rider, locked in a tense relationship with his horseman father and forever uncertain of his own skills as an equestrian

A man uses the principles of double-entry bookkeeping to settle his accounts with society.

"A Woman of Paris" (1923) was the first film Chaplin made for United Artists Film Corporation, which he founded with his friends Mary Pickford, Douglas Fairbanks and D. W. Griffith. Chaplin had long considered making a dramatic feature. For the first time, he decided to direct. Actress and filmmaker Liv Ullmann analyses the film. She talks about the acting, the originality of the characterizations, as well as the "feminine" viewpoint Chaplin adopted for the first time in his films.

Claire and Yves, trained as physicists, have worked in the nuclear industry their entire lives. During a visit to the National Gallery, Claire is deeply moved by three Rembrandt paintings. This encounter with these three masterful works will change them forever.

Built on archive footage – much of it previously unseen – this film reveals one of the most unexpected legacies of the First World War -- popular participation in sports, once the realm of the elite. For four years, sport represented a welcome respite from the killing fields of Europe.

Between 1931 and 1933, 4 million Ukrainians were to die of hunger. This famine was not preceded by any cataclysmic weather event, nor by a war. This was an ideological crime: decided by Stalin and approved by the Politburo, with the aim of punishing Ukrainian peasants who refused the collectivization of the countryside, cultivated a strong form of nationalism and showed resistance to communist ideology. Drawing on previously unpublished material, on many Soviet films and on a number of particular points of view, including that of Welsh journalist and whistleblower Gareth Jones, this film retraces the story of that famine.

Screen adaptation of the memoires of Daniel Cordier, a member of the French Resistance and close friend of Resistance leader, Jean Moulin.