Ilse Hanel

There’s excitement in St. Johann, when the lawyer and notary Dr. Junhnickel from Vienna arrives and brings an offer from a mysterious Brazillian: On the cover of a magazine is a young girl, obviously from the country, and in the background is the village landscape of St. Johann. The Brazilian has fallen in love with the picture and wants to marry the girl. In return for finding her, the village will receive a donation of RM 5,000. Oh boy! The mayor, the shoemaker and the district clerk go off on the search for the girl! They have absolutely no luck in the photo shop, because the photographer is boiling over what he considers unfair intentions and tells them to take a hike. Nevertheless, they find the girl’s address. The model, Christl Wallner is no country girl but rather a ballet dancer, who posed for the photo to earn a litle extra money.

A young woman pharmacist, Eva, is very friendly with a children's doctor, Dr. Fröhlich. Eva's small nephew Peter lives with her and she is often thought to be his mother. A number of amusing and more serious misunderstandings arise from this situation...

Shortly before the end of the war: Disillusioned Austrian soldiers crammed into a barracks in a prison camp welcome a new arrival who has nothing better to do than rave to the men, who have been separated from their homeland for years, about his Viennese lover. When the womanizer mentions the name of his latest love affair, Manhardt, her husband, jumps at him in outrage; the adulterer falls and dies. Acquitted of murder and returned to Vienna, Manhardt cannot get over his Anni's infidelity. Friends and a second fateful coincidence help.

The film jumps between the 40s and the 70s in Austria. Fateful and foreshadowing it highlights the entanglement of the economic system with the activities of the Nazi party, the Holocaust and the attempts to come to terms with the stories of the past. A spy thriller that tries to be everything at once.