Dorothee Hartinger

71 scenes revolving around multiple Viennese residents who are by chance involved with a senseless gun slaughter on Christmas Eve.

This film is about the difference between law and justice. A national socialist is accused of having stirred up some people against foreigners. A judge has to decide whether he has done so or if his statement comes under the constitutional given freedom of speech. This is compared with a trial in the third Reich. A young woman is being accused of having a relationship with a jew. The film confronts two views of law: the judgement is only based on the current law or the judgement may be influenced by socio-political events and sense of justice.

Unabridged production of Goethe's Faust Ⅰ by Peter Stein's Faust Project.

Second part of Goethe's Tragedy

A murderous community of heirs is looking forward to big money too soon. After a long time, the Dargatz family meets again for the grandmother's funeral on her farm. Leo, the local priest, is entrusted with the regulation of family affairs and the opening of the will. What begins as a harmonious family gathering is slowly becoming a drama about hidden passion, greed and lust for murder. And the devout Leo must learn that not everything that is meant well ends well.

When Beatrice and Benedict can't stop fighting, their friends start scheming to get them together. However, a more sinister plot seeks to tear Hero and Claudio apart at the same time. Will lies win over love?

Together with the ensemble of the Vienna Burgtheater, led by Kirsten Dene and Gusti Wolf, Franz Wittenbrink accounts in a wonderfully funny way with art and commerce in times of Mozart mania.

If you climb, you risk falling. For master builder Solness, this is doubly true. He had started out as a clerk in an architect's office, but soon got his own commissions and pushed his boss more and more to the side. Marrying a wealthy woman and her stately possessions came in handy for him. When the house he inherited fell victim to a fire, he subdivided the site and placed single-family homes on it. His boss became his employee, as did his son, and finally he made his fiancee his accountant. She adores him, which he only uses to keep the family dependent. Solness is considered a happy person. But he is driven by fear and feelings of guilt.

In a small town in southern Germany, Rick, Lutz and Georg try to live out their frustrations in extended drinking bouts. In the "Paloma" pub, they look for confirmation in sexual adventures. They rape several girls, and none of the victims have the courage to talk, because everyone in the small town knows each other. Then one day, the body of a strange 20-year-old girl is found behind the rest area not far from the town, abused and strangled. She was hitchhiking to Landshut. The police initially investigate without success. No one claims to have seen anything and the case is finally filed away as unsolved. Only years later does Andi, one of the suspects, begin to talk, apparently driven by his conscience. He claims to have been there when Lutz, Georg and the landlord of their local pub committed the crime. The wall of silence threatens to topple...

The Threepenny Opera proclaims itself "an opera for beggars," and it was in fact an attempt both to satirize traditional opera and operetta and to create a new kind of musical theater based on the theories of two young German artists, composer Kurt Weill and poet-playwright Bert Brecht. The show opens with a mock-Baroque overture, a nod to Threepenny's source, The Beggar's Opera, a brilliantly successful parody of Handel's operas written by John Gay in 1728. In a brief prologue following the overture, a shabby figure comes onstage with a barrel organ and launches into a song chronicling the crimes of the notorious bandit and womanizer Macheath, "Mack the Knife." The setting is a fair in Soho (London), just before Queen Victoria's coronation. In this production, Weill champion HK Gruber led the Ensemble Modern in a performance of Weill's complete original score, the first time it had been heard in Germany in many years. This production was broadcast on German television (3sat).

A team of inspectors investigates murders in and around the small Upper Bavarian town of Rosenheim, and they still have plenty of time to see idyllic landscapes and luxurious pre-alpine villas and enjoy sumptuous Bavarian fare with beer.

SOKO Leipzig is a German police procedural television programme, a spin-off of the earlier German police programme SOKO 5113. It was first broadcast on 31 January 2001, on German television channel ZDF. On 12 November 2008, the first part of a two-part crossover between SOKO Leipzig and British police procedural The Bill was aired, with the same version being shown on both ZDF and British television channel ITV1.

SOKO Kitzbühel is an Austrian television series produced by ORF and ZDF. It is a spin-off of the German crime series SOKO 5113. It is set in the renowned Tyrolean tourist centre of Kitzbühel. The production company "beo-Film" has produced the show since 2001. The German abbreviation SOKO stands for Sonderkommission, "special commission", a task force with specific duties.

Shows the interaction between Hamburg police officers and paramedics.

First Police Chief Inspector Vera Lanz, a Munich police detective, attempts to balance her professional and private life.

München 7 is a German police drama series from Franz Xaver Bogner. The show is set in Munich, Germany and features the fictive police station "München 7" or "Munich 7". The main characters are the "Sheriff from Marienplatz" Xaver Bartl and his new colleague Felix Kandler. München 7 is part of a series of commonly branded shows with similar themes called "Heiter bis tödlich".

Vienna suburb. Better society. Appearance and reality. A golden cage. But is everything that glitters really gold? Actually, the five "suburban women" of the title couldn't be doing any better in their supposedly perfect, affluent world – could they?

Angelika Schnell is the head of homicide and living proof that chaos is just another form of order. Nevertheless, she is a brilliant investigator - even if her methods are sometimes quite unconventional: In addition to hard facts, she also allows her distinctive inner voice to apply, which often leads to incomprehensible but very important conclusions...

Chief Inspector Schaller and his team solve the most unusual cases in beautiful Munich with wit and charm.

Andreas Kaiser returns to his Bavarian hometown of Schexing after around 15 years. The mayoral elections are coming up, but there is no one who wants to take over the office. Municipal treasurer Nelz and town hall manager Rosi Specht see Andreas as the ideal candidate. Inexperienced as he is, they believe they have an easy game with him. A mistake, as it soon turns out. No less stubborn than his father, farmer Ludwig Kaiser, Andreas throws himself into his work, develops unusual ideas and slowly but surely begins to turn the idyllic village upside down. Which doesn't meet with everyone's approval.