Doris Šarić-Kukuljica

Sitting in a restaurant representing the waiting room to the other world, a tired old man watches the patrons who represent him and his immediate family during the important moments of his life. Moments that have impacted him and the family, and have turned him into a man he was at the end of his life. The old man is forced to look these events in an objective way, observe them from the sidelines, as the judge and jury of a tragic life filled with regret, bitterness, and bad decisions. At a certain point, it becomes clear that the old man has actually died and is watching his own life.

In the mid-1950s, an unnamed convict succsesfully manages to escape from the Goli Otok prison island, seeking shelter in a monastery on the nearby island of Rab and striking a kinship with one of the nuns in it. A few days later, an agent of the Yugoslav State Security Service arrives on the island, desperate to find the man's whereabouts. The nuns and the monks face a decision of their lifetime. Are they going to turn the wounded man they know nothing about to the authorities, or will they continue concealing him and risk their lives in the process?

Maks is a brilliant lawyer who has been serving for years one of Croatia’s most powerful and ruthless businessmen, who made his fortune in the aftermath of the Balkan War. Maks’ latest service has been to have his client declared innocent of the murder of two of his workers for acting in self-defense. But the sudden appearance of a former girlfriend triggers a crisis of conscience in Maks, leading him to confront his employer and risk his life by uncovering a dense network of corruption at the highest level involving all branches of the State.

A doctor opens an ordination in the abandoned house of his parents which is supposedly haunted by ghosts, as claimed by its only tenants - the old servant and two maids. He starts having nightmares in which a pretty and young girl shows up.

A story about a hunter's son, who was born with antlers, and about how each man kills the thing he loves.

When Petar's marriage and family life fall apart due to his innability to separate professional and personal life, he decides to take a journey of self-discovery and takes on a job of driving a van full of humanitarian aid from Zagreb to Dubrovnik, meeting two people who will change his life forever.

At the center of this family comedy are a mother and son, but also a whole range of intricate family relationships that intertwine during the celebration of Branko's twenty-fifth birthday. An overly caring mother who focuses on her son, a demented grandmother, a crazy aunt and her confused husband... are just some of the protagonists of this play.

A persistent rain falls on Zagreb. That day Janko finally decides to take the threads of his life in his own hands. For him this means, before anything, an attempt to establish a relationship with Iva who he has wanted to approach for some time followed by dealing with his aging father Franjo, a miserable translator who needs an escort to an award ceremony where he will receive an award for lifetime achievement. Iva and Franjo have their own secrets that they don't want to keep to themselves and also ideas of how this rainy day should go. Someone should, in the end, walk the dog.

On the eve of Mirjana’s 20 year work anniversary, when she is to receive an award at a modest celebration, her interactions with her loved ones illustrate her whole life: the one behind her, the one she is living and the one that is yet to come. «A Blue Flower» is a film about a woman, about a mother and a daughter, a film that evokes emotional associations and urges us to take a long hard look at ourselves.

A young couple, Robi and Ines have a 7-day deadline to pay off Robi's debt to the loan shark, or they will both be killed. When they meet a well-off banker, Marko, who could save them by lending them money, Ines and Marko become close. The crazy race against time results in a love triangle of bizarre emotions, lies and passion.

Frano, a film director, is preparing his debut feature, which will focus on women affected by the collapse of the textile industry in the region. The topic, as well as the main character, is inspired by his aunt who used to work in the industry. In order to find the star of the film, he invites three esteemed actresses to his apartment for an informal reading rehearsal. However, as soon as they realise they are competing against each other for the lead role, things take an unexpected turn.

A group of trainee therapists come together for their regular group psychotherapy session, but when their normal routine is disrupted, events take an unexpected direction: as their professional masks start to slip, long repressed personal tensions soon bubble to the surface.

A hundred year old woman called Nada and her 75-year old daughter Vera have a tense but familiar relationship. The childlike Vera takes care of her frail, mute though at times cruel, mother until one evening a bat flies into Nada's room and starts hibernating underneath her bed. The animal's presence gradually reinvigorates the old woman, eternally and fatally changing the relationship between mother and daughter.

Apart from the fact that he feels neither as a citizen nor as a peasant, nothing binds the main protagonist to his place of birth in this typical Simunovic work about homo duplex, deeply contaminated with a feeling of pain.