Seif Abdelrahman

Five young siblings deal with a reluctant chaperone when they wind up stranded on a trip to Egypt.

Ali, an aspiring actor, works in a government-aided butchery and takes part in a cheap play. Defying his father's wishes, he moves to Paris to fulfill his dreams and starts living illegally alongside many other Arabs. Ali has a life-changing experience there that he won't fully remember until he returns to Egypt.

Amid the poverty, death, and suffering caused by World War II, 18-year-old Yehia retreats into a private world of fantasy and longing. Obsessed with Hollywood, he dreams of studying filmmaking in America but struggles to pursue his dream, given the constraints of his life in the middle class and the horrors of war.

In the 12th century's Andalusia lives Ibn Rushd a prominent Islamic philosopher with his wife Zeinab and daughter Salma. The principality is ruled by Khalifa ElMansour who has two sons, ElNasser, an intellectual that likes Ibn Rush and is in love with his daughter Salma. The younger son Abdallah is more into dancing and poetry, spending most of his times with the gypsy family and getting the daughter pregnant. The Khalifa is depending on the extremists to build his army granting them more power which they use to combat artists and philosophers. The extremists succeed in recruiting Abd Allah and train him to kill his father. Events go on where Marawan, the gypsy singer, is killed and Ibn Rushd's books are burnt. Adapted from the real life of Ibn Rushd AlMasir is Chahine's statement against extremism.

Set in 1987 against the backdrop of a hunger strike by the Egyptian film industry, Chahine himself steps in to play Yehia, the famed Egyptian director whose life is chronicled in "Alexandria, Why?" and "An Egyptian Story". Obsessed with Amr, the handsome actor he discovered and cast as his alter-ego in parts one and two of The Alexandria Trilogy, Yehia pressures Amr to star in various film projects that change even as Yehia's perception of the young actor begins to change. He first casts Amr as Hamlet, which the actor deems too demanding for his talents, then as the lead in a musical biopic of demigod Alexander the Great, who founded the city of Alexandria in 332 B.C.

This big-budget historical epic from acclaimed Egyptian director Youssef Chahine features a crazed turn by Patrice Chereau as Napoleon Bonaparte. The film, an Egyptian-French co-production, deals with Napoleon's occupation of Alexandria and its effect on a typical Egyptian family. Michel Piccoli leads the cast as a general in Napoleon's army who tentatively befriends a local poet and falls in love with two young Egyptian brothers, reflecting complex themes of colonial desire, affection, and personal connection.

When a free-spirited sailor is found murdered, his twin brother, a famous novelist, is the prime suspect. Investigators uncover a possible liaison between the dead sailor and the writer's wife, and also learn that Sayed's successful fictions owed much to the inspiration of his brother Mahmoud's adventurous life. Just as the evidence against the writer seems overwhelming, Mahmoud turns up alive. But why are the twins never seen together...?

The biblical tale of Joseph is told from an Egyptian perspective in this interesting character study. In this film, Joseph is called Ram. Ram, tired of his family's backward superstitious life, and tired of being picked on by his brothers, wants to go to Egypt to study agriculture. His brothers travel with him across Sinai, but then suddenly sell him to Ozir, an Egyptian who works for a Theban military leader, Amihar. Amihar is impressed by Ram's drive and personal charm and so grants Ram some desolate land outside the capital. Ram soon finds himself a pawn in the political and sexual games between Amihar and his wife Simihit, a high priestess of the Cult of Amun.

After we last see him in "Alexandria, Why?" Egyptian filmmaker Yehia Mourad is in his thirties, and successful in his work, he has grown distant from his wife and children and suffers a symbolic blockage of the heart while shooting the final scenes of his latest film. After being flown to England for evaluation, it's determined that Yehia must undergo emergency surgery. Fact and fiction blend seamlessly—with healthy doses of cleverly absurdist fantasy—as the film explores the various personalities and forces that have made Yehia (and Youssef Chahine) the man he has become.

Hatem is a corrupt police officer, who loves his neighbor Nour, who in turn loves the prosecutor, Sherif. Hatem tries to win Nour’s attention even if by force.

Three young women working at a cafe struggle with difficult relationships, betrayal, and loss as they navigate their lives after graduation.

A hooker decides to repent after she gets married and gives birth, but when she discovers that her husband is an addict, she convinces two of her friends to steal some jewelry, but things do not go well after the apartment owner and her child were killed during the robbery. Making her accused of a crime she didn't commit.

Playboy Amr (Ahmed Eid) studies at the Faculty of Medicine, he lives a careless life between the use of drugs and neglect of study, and then falls in love with fellow religious veiled Farah (Bushra), and tries to woo her by pretending to be religious and then she discovers the truth.

Nubi, a wealthy man with Communist ties, sets out to find his half-brother Gamal, who has been disowned for being gay, to let him inherit his father's fortune. In the process, Nubi is supposed to kill Gamal's stepmother Raifa, a suspected drug dealer, before she can kill his half-brother.

Sina' learns of the numerous affairs her husband Shakir has had with other women. At this time, she gets to know Hashem, and they become increasingly close. Hashem learns of the dysfunctions within Sina’’s family and tries to take advantage of this for his own interests, specially after meeting Arfan, the husband of Sina’s sister. Arfan uses Sina’s sister’s money for his own projects, and tries to pressure his daughter Hoda into marrying a rich Arab man.

Set shortly before and during the Six Day War in June of 1967, The Sparrow follows a young police officer stationed in a small village in Upper Egypt whose inhabitants suffer from the harassment of a corrupt businessman.

During the Gulf War, Fatma works as a maid for a wealthy man, and her son Mohammed is suffering from oppression by his teacher Mansour, who's having an affair with Fatima, taking advantage of her difficult circumstances. Mohammad gets drawn to extremist religious world led by Sheikh Khalid.

Set in a mythical small Upper-Egyptian village where people live off planting dates and making of Date Wine, a stranger arrives and calls on people to travel to the abroad for job opportunities, all of the village's grown-up men leave, except for the disabled grandfather and his grandson Ahmed, upon which trouble begins to spread in the village in the absence of men along with his lover Salma. Exploring themes of Rebellion, Desire, Masculinity, Patriarchy, Spirituality and the Ancient Egyptian Mystique.

In this intriguing and entertaining thriller, Khalid Youssef tells the story of a young, rich man (Hani Salama) who kills his wife and his brother when he finds them in bed together. After he evades prosecution we start to wonder whether the killings were really spontaneous or if perhaps he had plotted everything in advance to get rid of both of them. Told from shifting perspectives in the style of Akira Kurosawa's Rashomon, including those of the hero, his mistress and a police detective investigating the case, the film moves around the murders cleverly, in a manner as unconventional and exciting as the story itself. Very convincing characters are involved in a game that requires a hefty dose of imagination from the audience. The film contains violence.

Hussein is in a state of extreme depression because of the boring routine of work and the pressures of life he faces as an employee, husband and brother, decides to escape from the reality of his work and his family, go out to the street without a goal to know the master who provides a place to stay, and while roaming recognize Naima One of the teams roams the streets and falls in love with her.

The story of a 40-year-old married woman who has fallen into idleness and does not know how to approach the revolutionary events in her country. She finds a new meaning in life when she falls in love with an aspiring young student. “I shot FAGR YOM GUEDID in 1964. I count it among my best films and still stand by it completely. It is about the class whose assets were nationalized after the 1952 revolution. I explored the question of whether this class still had a place in Egyptian society.”

The construction of the Aswan dam as seen by those who took part in it: engineers, workers, Egyptians, and Soviets.

Dr. Layla Sallam, freshly healing from two tumultuous marriages, finds herself drawn to Omar, a complex patient battling mental illness. As their bond deepens—blurring lines between love and healing—Omar's quest for truth challenges Layla to confront her own demons.

The story revolves around a sports editor named (Hesham), who chooses to marry (Dina) without consulting his mother, who controls his father. Many problems occur when he moves to live near his family, due to his mother's interference in his life and her falling into disputes with his wife.

A retired Egyptian officer working at the Egyptian embassy in Tel Aviv decides to plot revenge against Israel for freezing his bank accounts when he objected to its monstrous conduct in Palestine. In Egypt, he recruits five of his former students to rob Israel’s largest bank.

A portrait of the social and political aspects of Egypt during the late 18th-century French campaign, and the most important events that ensued, from Battle of Shubra Khit between Napoleon and the Mamluk leader, Murad Bey, and through the first and second Revolt of Cairo, till the defeat and exit of the campaign.