Coral Pellicer

Leandro, an unemployed mason and his friend, Tocho, attempt to rob a tobacconist in the Vallecas district of Madrid, but Mrs. Justa, the tobacconist, impedes it alerting the neighbors who notify police. Inside the shop, the confrontation between the two friends and their 'hostages', the tobacconist and her niece Angeles, is relaxing, and a budding sympathy arises between them.

Ana is Catalan, daughter of a bourgeois family and works in a studio in advertising. She is 38 years old and has only lived with her husband, with whom she has a relationship cold but accepted by both. Although his family is opposed, decides to leave her husband and takes a vacation with her daughter Barbara, of 12 years, in order to leave behind all the past and start a freer life, with fewer ties, less conventional.

Lorenzo is a young man returns to Spain after spending some time in England, where he fell in love with Berta, the daughter of Spanish immigrants. Lorenzo writes several letters to her trying to convey the beauty of the world her parents left behind.

Isabel returns to Spain, after several years of absence, to be cured of a neurosis. His daughter Ana, whom he has not seen in all this time, decides to spend the holidays with her, taking advantage of the fact that her boyfriend has gone to study in Germany. During her stay in the sanatorium, Ana meets Mario, an attractive young man somewhat unbalanced, who tries to seduce her. Although at first she does not show any interest, little by little she becomes attracted to him.

A chronicle of the life of Jaro, the leader of a juvenile delinquent gang, depicting his rise from street urchin to outlaw anti-hero on the way to his inevitable end.

Spain 1640, the reverend superior nun Mariana, attends the death of her younger sister, Isabel's husband, who is overcome with hopelessness and heartache. Isabel then kisses and caresses the cadaver's exposed body as if he were still alive. Mother Mariana

Roberto, a leader and follower of the ideals of his radical leftist opposition party, can’t resist the cheap beautiful street teenagers that are thrown his way for various pleasures.

Luisa's daughter attempted suicide. While attending the clinic and, contemplating the state of his daughter, Luisa recalls the early happy years of her marriage to Pedro, a popular and friendly sports journalist. Soon after came the first deception of her husband.

José is an unemployed 18-year-old living in a cramped apartment in the slums of Madrid. Marginalized by poverty, José spends his time with his friend Antonio. However, when José gets his girlfriend, Rosario, pregnant, the two friends try anything to get the money to pay for her to have an abortion.

After killing his girl friend, Ana, Amador (a dark and strange man) joins his family (which he can't stand) in Torremolinos, where he gets involved in the assassination of a foreigner woman. It is also in Torremolinos, where Amador meets Laura, a woman who falls in love with him...

Agustín, a school teacher, visits Paco, a former student, whose mother asks him to help her get the boy on the right track.

Sister Patrocinio is a nun who is stigmatized by Christ in her hands and feet. Although some believe in this mystical fact, others suspect of manipulation and take it to the court of justice.

This 1985 Spanish film reveals one of the many terrible aspects of 16th century Spain, still plagued by the radical Christian Inquisition, one of a plethora of difficulties Spaniards faced at the time. Spanish super star Carmen Maura plays a nun who agrees to a selfless scam, a fake stigmata, only to avoid separation from her lover, another nun. It's a serious and passionate work, highlighting the theme of outspoken women-against-repression, seen in other good gay and lesbian films. This is not a lesbian "Nun sense" or another "Dark Habits" (by Almodovar, which also starred Carmen Maura, and also set in a Spanish convent, with some lesbian nuns). Perhaps, best of all, 'Extramuros' is realistic and frank. It isn't shy about its characters' sexuality. Their sexuality, and the film as a whole are genuine.

An immigrant family in the suburbs of Madrid receives a visit from their eldest sister, who has chosen convent life as her escape.

Recounts the experiences of a middle-class family, the Alcántaras, during the last years of the rule of Francisco Franco and the beginning of the Spanish Transition to democracy.

La que se avecina is a Spanish television comedy created by Alberto Caballero, Laura Caballero and Daniel Deorador. The TV-series focusing around the inhabitants of Mirador de Montepinar, a fictional building located on the outskirts of a big city. Both its storylines and cast are heavily based on Aquí no hay quien viva, which ended when Telecinco bought Miramón Mendi, the series production company. The episodes debuted on the Telecinco network, and were later rerun by the same network as well as cable/satellite channels FactoríaDeFicción and Paramount Comedy. The series debuted in 22 April 2007 and became popular thanks to its funny characters, witty script, use of catchphrases and capacity to integrate and poke fun at contemporary issues; the program presents a caustic satire of many of the 'types' found in Spanish society. The name of the show involves wordplay, as "vecina" is the Spanish word for neighbour.