Aldo Ottobrino

In a small suburb on the outskirts of Rome, the cheerful heat of summer camouflages a stifling atmosphere of alienation. From a distance, the families seem normal, but it’s an illusion: in the houses, courtyards and gardens, silence shrouds the subtle sadism of the fathers, the passivity of the mothers and the guilty indifference of adults. But it’s the desperation and repressed rage of the children that will explode and cut through this grotesque façade, with devastating consequences for the entire community.

Gallura, the mid-1800s. The feud between the Vasa and Mamia families – historically documented – is causing bloodshed in the region. Bastiano Tansu, a deaf-mute since birth, is one of its protagonists. Mistreated and marginalized since his childhood, after his brother Michele was murdered he joined forces with one of the two leaders of the factions, Pietro Vasa, and put at his service his fury and his amazing aim, becoming a highly feared assassin. The State and the Church try to stem the wave of terror and only after more than 70 deaths, the peace of Aggius arrives. At first, Bastiano finds peace in his love for a pastor's daughter, but in a violent and superstitious world that already labeled him the devil's son when he was just a boy, someone like him cannot be found innocent. Thus, he chooses to confront his own destiny.

Back in Genoa for the first time in twenty-five years, to attend the funeral of his best friend from when he was growing up, Luca reunites with the old gang of yore. All of them are sure that the late lamented had brought it on himself, with his dissipated lifestyle. Not Luca: he wants to know, investigate, understand. He searches his memory, in a city as changed as he is, as characters and situations reemerge ghost-like from a buried past, along with Luca’s own true nature, which he thought he had definitively tamed.

Three friends live together in the house owned by one of them - and look for happiness

The Italian architect Giancarlo De Carlo (Genoa 1919 - Milan 2005), inspires generations of architects all over the world. His philosophy still remain a school subject. The film, inspired by Franco Buncuga's book “Conversations with Giancarlo de Carlo”, recalls an imaginary trip from Genoa to Urbino, guiding the audience through the historical town center, the Palazzo Ducale and the masterpieces of the Italian Renaissance architect Francesco di Giorgio Martini, which made the Urbino so great.

A journey inside the most sensational exploits of the forgotten post–WWII Italian underworld. Thirty years told through first-hand accounts, reenactments, old movies, newsreels and other archive footage—painting the portrait of a country undergoing major social changes.

In late 19th-century Turin, young Lidia Poët fights against everything and everyone to get what is rightfully hers: to be enrolled in the official register of lawyers; a profession, at the time, reserved exclusively for men. Nevertheless, nothing could stop her dream of becoming the first female lawyer in Italy.

Deputy Chief Lolita Lobosco returns to her hometown, Bari, to direct a team of men only. In a world stubbornly ruled by males, she chooses to remain herself against all odds, and uses her skills and devotion to fight prejudices.