Miguel Melo

A snobbish housewife is determined to climb the social ladder, in spite of her family's working class connections and the constant chagrin of her long suffering husband. Portuguese remake of the British classic Keeping Up Appearances.

Álvaro and Maria do Carmo lived happily in Angola. He was a successful businessman and she was a mild mannered housewife. They have two children together, Ana and João, who were studying and living their teenage years in Luanda... Until the day the civil war broke out and everything fell apart. Amidst declarations of independence, a wave of violence breaks out and the established peace and order fades away. In July, 1975, the Mendonça family, along with over five hundred thousand people, leave their belongings behind and embark on an air convoy that would become the biggest exodus in the history of the Portuguese people to a homeland that most only knew from photos and dubbed it Metropolis. In Lisbon, Joaquim and Natália, Álvaro’s brother-in-law and sister, take the Mendonça family in their small apartment, where they will try to get their lives back in order. However, over that hot summer of 1975, the integration seemed to be far from easy.

Story of the 1974 coup that overthrew the right-wing Portuguese dictatorship--which continued the fascist policies of long-time dictator Antonio Salazar--and of two young army captains who were involved in it.

Gilda is terminally ill. Her only wish is to die without pain, and as all her suicide attempts comically fail, she decides to seek professional help.

One night, the phone rings in a traditional Portuguese snack bar from the country side. The Spanish Civil Guard is looking for Kunta. He isn't there and till he arrives people speculate about those phone calls and about who is that man. His he a thief? A terrorist?

The story revolves around Anastácio, a supporter of Leões de Alcochete and Mr. Barata, a supporter of Inferno Futebol Clube. One day, the two teams face each other. Which team will win?

A man exiled in Paris makes various trips to Portugal after the Carnation Revolution. Each trip is represented by a woman.

A group of innocent hostages is left to their own deaths facing a clockwork bomb, while the whole country watches them on the TV.

Twelve short films, twelve portraits of the city of San Sebastian.

João is a freelance television journalist. When he begins a new story about an old pigeon breeder in a poor neighborhood on the outskirts of Lisbon, João meets Ana, his teenage granddaughter, a mysterious character who is beginning to exercise an irresistible fascination for him. With the time João starts to lose the interest in the pigeon breeder and begins to take an interest in Ana and her world, which she only shares with another abandoned kid, until she realizes that her life is full of dark stories.

In a time preceding the Carnation Revolution, we meet two men: one young, one old. One is fleeing the country, and the other helps him escape through Trás-os-Montes. While they make “the leap,” they speak about their lives and their troubles… This is an ode to those who fought for Freedom, and to these fifty springs that have passed. Throughout 13 performed songs, we travel across the country, hand in hand with several Portuguese people who tells us their stories through music, until we get back to this young man who runs away and returns to Lisbon, shortly after the Revolution, to reunite with his loved ones and live in freedom.

Inspired by Bernardo Santareno's “The Lugger” and “In the Seas of the End of the World”, this is the story of a captain of a codfish lugger, fishing in the banks of the Newfoundland who decide to risk sailing to Greenland in search of more fish. Along the way, he has to face storms, crew revolt and deal with the best and the worst of humanity when tested in extreme circumstances.

In early 1985, the writer Nuno Bragança hands his friend Carlos Antunes a 13 question’s questionnaire; 13 sheets of graph paper, of which he offered the recto-verso of each for his friend to answer. The questions were about Carlos Antunes’ personal and political career, with a special interest in his involvement in the Revolutionary Brigades and the armed struggle against the dictatorship that led to his arrest in 1978. The untimely death of the writer, in the same year, left the questionnaire unanswered and some uncertainty as to its purpose. After almost 30 years, the director asks Carlos Antunes to answer the 13 questions and to reconstruct the achievements, illusions and sorrows of the Revolutionary Brigades in Portugal, in the years surrounding the Carnations’ Revolution in 1974.