Lotte Loebenstein

48 hours in the life of the Neugebauer family. The May weekend with a small family celebration, which was planned as peaceful and contemplative, turns out to be a kind of Rocky Horror Picture Show in Vienna's municipal housing estate. Just like the other residents, the Neugebauers are preparing for the impending Mother's Day.

Judit is up to her neck in art studies and the elitist art community but chucks it all to pursue a successful career as a billiard professional -- not exactly a likely alternative in real life, but certainly more lucrative. Just as she is finally at the apex of her chosen second field, Judit encounters male jealously and/or aggression in the form of intentional snubs from this different class of snobs, or in the worse instances, rape. Director Kitty Kino portrays many of the male figures in this film as weak, or drunk, or simply offensive, and because of the emphasis on those traits, the film will raise objections from some viewers. On the other hand, many women might see this film and feel that at least it brings up the difficulties women can face in getting ahead in a male-dominated arena, instead of side-stepping or ignoring the role of male prejudice.

The talk therapist Roland Arnsberg falls from the clouds when his longtime girlfriend Chris gives him the passport. An affair with Regine, as it were in acute relationship needs, helps Roland though from his mood depression. However, when he learns that she is the wife of his most affectionate patient, his world gets completely out of joint. The turbulent game of hide and seek finally opens the eyes, which is the right woman for him. Only Chris needs a little longer, until you dawn: There can only be one.

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