Emmi Parviainen

Jussi Ketola, returns to Finland from the great depression struck America only to face growing political unrest. One summer night of 1930, nationalist thugs violently abduct Ketola from his home. Beaten and forced to walk the Eternal Road towards a foreign Soviet Russia, where cruelty seems to know no end, his only dream is to return to his family cost it what it may. Hope dies last.

Marja (Minka Kuustonen) is a blogger. Olavi is one of the richest men in the country. She might be able to save her blog if she dates him, but what if she falls for him for real?

Tinke, who has been drinking his health away, lives in a care home, where his dark humour and his friend Veikko keeps him going. When Saimi's teenage twins, whom he vaguely remembers from years ago, decide to find out about their father, their search leads them to Tinke. Saimi is determined to prevent the twins from meeting Tinke, but Veikko, who has been caught up in the mess, disagrees.

Juha Berg is a 30-year-old hopeless drunk in the Kallio neighborhood of Helsinki. Juha doesn't have the first intention of changing his way of life - just the opposite. He really enjoys sundry sexual relationships, adrenalin-inducing violence and, of course, alcohol for which he gets money even if by collecting bottles. But the hilarity in a drunken haze soon gets a run for its money as the passionate Juha falls in love with his AA group leader. The relationship with Tiina progresses quickly to dating and Juha has to make pivotal decisions. Juha has to begin balancing between maintaining a functional intimate relationship and his old lifestyle. Juha's best friend Kristian does his best to sabotage the relationship, and Juha's shaky decision to stay sober is further hindered by Mikael, an expert on German erotica. But how far can you go before there is only one solution left?

Computer professional Vesa Rajala rushes to home from a work trip because his wife Sanna is leaving for Greece with her new lover, Georgios from next door.

Baby Girl, 30, a poet with a bachelor's degree in arts, is anguished because of her relationship with Pirkka, a relatively smart, young man. Baby Girl's parents, Eila and Rampe, do their best to become friends with Pirkka and his elegant mother. Through coincidence and error Eila occupies her summerhouse neighbors' empty luxury villa. When Pirkka's mother drops by, Eila lies that she and Rampe own the fancy house. The showing off and lying escalate when Eila's mother and sister show up. The real owners of the house, an upper-class couple, Thomas and Monica, are driven away to Eila and Rampe's modest cottage.

Group of old friends gather in a summer villa to celebrate a surprise birthday party for Mitzi, who is the dramatic focal point of the group. The weekend starts ominously when Mitzi does not respond well to the surprise party. It turns out that Mitzi has just filed for divorce and has been looking forward to a peaceful weekend. The tense situation takes a new turn when Mitzi's best friend brings her new boyfriend for a visit, who happens to be a Swedish film star. Familiar surroundings and the old rituals get to the core of the group and make them forget their adulthood. Revelations, not meant to harm the balance, make them reassess their past as well as their present.

Tundra of Lapland, Finland. Rupi, a young man who fills his days dealing and drinking, works in a mine hoping to raise enough money to escape the desolate village where he lives.

After losing her father, Vilma can't find her place in the life of her foster family. As a result of her struggles, Vilma ends up in a juvenile home, where she refuses to be subdued by the arbitrary and abusive staff who run it.

Iida, an elderly Sámi woman, who has abandoned her roots under the pressure of forced Finnishization, is conflicted between selling her old homestead and hiding her cultural heritage from her niece, as the rural way of life she has suppressed begins to creep back in.

Marja tries to make ends meet by taking night shifts in a newspaper delivery service, apparently mostly carried out by foreigners. During the day, she sleeps and strives to raise her little daughter as best as she can. As a single parent and lacking a solid income, life is a constant struggle. Things are about to go from bad to worse when she meets her ex-boyfriend whose obsessive demeanour about whether he is the father of Marja´s child will drive her to the edge of sanity.

We follow Finnish history from the beginning of the 20th century to the 1970s through the life of Martta Salmela-Järvinen (1892-1987) who was a politician, writer and an important figure in the Finnish labor movement.

Like good soldiers in a war-zone, hospital staff are expected to respect the chain of command when dealing with life and death situations. But what happens when smug doctors, arrogant surgeons, and out-of-touch administrators make that easier said than done? Nurses deals with the professional and personal lives of four female colleagues who cope in different ways with the challenges of life on the trauma ward. With determination, strength, and a dark sense of humor, they achieve the demanding and inspiring task of saving lives in a system that sometimes seems designed to do the opposite.

During the 1950s, Helsinki was the focal point of the Cold War, as global powers and their intelligence agencies coalesced in the small neutral country that stood between the East and the West. Shadow Lines is an international spy thriller that follows a secret intelligence team whose mission is to defend the independence of Finland no matter the cost.

A journalist traces a microchip found in baby food. A bank manager's mistake ensnares her in a much larger scheme. A family falls apart after the father goes missing. An insurance examiner investigates what happened to a border control veterinarian. This suspenseful Nordic noir drama enters the world of international money laundering through the stories of ordinary people caught up in the crimes.

Isolated is an antology of short films made by seven Finnish film directors during the covid-19 pandemic. The films are about encountering oneself in isolation. People feel loneliness and it erupts in absurd ways. Family members witness unexpected reactions during the crisis.