Peter Staník

An elderly man lives a solitary and rhythmic life by a dilapidated mill near a river. His days are spent almost entirely in silence, fishing under the shade of a massive, ancient willow tree that seems as old and weathered as he is. One Sunday, while fishing, he witnesses a murder.

A story about life and problems of eleven years old boy Michal.

Johanka had a fling with a well digger she had not met before and who, she was most likely certain, would never be around again. Just before his departure, they have sex and she eventually becomes single mother of a baby girl. Now, 18 years later, her daughter Paulina commutes by bus to work in the nearby city, which gives the village gossips the occasional opportunity to remind her of her unknown father. A resultant conflict with her mother makes Paulina take up residence in the city. Johanka, prodded by her also-single friend Jozefka who maintains that a woman without a man is nothing, begins to woo the new teacher Jarek only to discover later that he is married. Paulina, in the meantime, loses her virginity to the soldier Jirka who promptly makes himself scarce. Johanka fails to consider that she actually has a better life than some of her married neighbors, begins to see.

In a school somewhere in the border region, a young teacher is trying to integrate Romani children into the classroom. But their families remain suspicious of education. The filmmakers have chosen a largely romantic view that does not penetrate beneath the surface. They have included numerous folklore examples, acting as the most attractive element. The real problems can thus only be imagined.

The forest worker František Hrubý, a poor, hard-working man, lives with his granddaughter in a lonely cottage. Despite being in his sixties, he is still a furiant who does not let anyone talk to him, but talks to everyone himself. His desire to interfere in the lives of his companion, daughter, granddaughter or friends is rooted in his fear of loneliness and death. He also can't accept that the work he has loved all his life has become too much of a strain...

A story based on two short stories by the Slovak classic Martin Kukučín, which in a humorous and kindly tone brings closer the nature of our people.

The loose sequel to the film "Pásla kone na betóne" returns to the familiar heroes after some time. The communist dictatorship is no longer raging and capitalism is penetrating even the remote corners of Slovakia. As it turns out, however, people don't change much over time, and their joys and worries are still the same. The tragicomic story depicts the vicissitudes of Johanna's new relationship with brewery manager Janko Kvašný, the unhappy marriage of her daughter Paulina and life in the new social conditions in an eastern Slovak village.

In a small community around 400 years ago, Esben (Juraj Hrcka) has to flee when his mother is tried and burnt as a witch as a result of the cruel hysteria of the townsfolk. Finding shelter with the hermit Hans (Peter Staník), a friendship grows between the two, as Hans teaches Esben how to survive secluded from the rest of mankind, and introduces him to the secrets of medicine. But when Hans himself is taken, Esben is forced to flee again...

Many films have received almost no audience response at the time of their release in cinemas - this one is one of them. The story of a sick writer who returns to his native region to gain new physical and mental strength, however, did not impress, it is too artificial, with dialogues and plots rustling paper. It lacks both a believable depiction of the main character's mood and adequate realization certainty, the hero's silent discussions with the personified Inspiration sound cumbersome.