Tiziana Schiavarelli

Eight episodes vaguely inspired to real events. The "fil rouge" is the relationship between the Italians and sex in the first years of 2000s. From prostitution to virtual sex all the categories are represented in a funny way that anyway tries to investigate this kind of reality.

Riccardo, a southern man of solid principles and good feelings, decides to go and visit his daughter Aurora, who has been living in Barcelona for some time. There, however, a surprise awaits him: Aurora has married a woman. Indignant, Riccardo hastily returns to Italy, determined never to see her again. But perhaps destiny has decided otherwise.

When an unemployed young man finds himself in dire straits and up to his eyes in gambling debt, he believes the only solution is to become a drug courier.

Bari, the last chills of a very cold winter. A gang of petty criminals rummages through the day and night of the suburbs, searching for a precious package sent from the Balkans and destined never to reach its final destination. What does the package contain? Important material for our characters; for the viewer, a passe-partout that opens the door to a jagged and surprising urban undergrowth.

A common day in the actual Italy, narrated by the different stories of seven different people, it's the starting point for an overview to the 21st century's italian society, among corrupt politicians, unfaithful husbands, hardcore soccer fans and dishonest businessmen.

A Sicilian janitor gets visited by a Madonna statue in his dreams, telling him that she is buried under an olive tree and asking him to help getting her out of the earth.

Guelfo is a Florentine noble who has never worked and has no money. On the death of his mother, he believes he can inherit a large fortune, but from the notary he learns that he has an illegitimate brother with whom he will have to share half of his inheritance. His brother is called Felice, he works as a waiter in Bari and goes to Florence with a student friend who is indebted to the usurers. A rivalry without quarter begins between the two brothers.

Italian film directed by Pierluigi Ferrandini. On the night of May 26, 1956, a terrible bloody event occurred within the home. In Bari at the dawn of the economic boom, the twenty-six-year-old Franco Percoco, coming from a "normal" lower middle class family, carried out a family massacre - the first after the war to have great media coverage - and was consigned to the news as the "Monster of Bari ".

The daring journey through Europe of two somewhat naive friends, Salvatore and Felice, fleeing a small town in Puglia, who find themselves catapulted to Rotterdam and then to Iceland. For the first time in their lives they will discover what it means to feel alive and happy. Through some mishap and with the help of the generous and extravagant Anke, they will overcome their fears and inhibitions. They will be overwhelmed by life, discovering the joy of existing and of experiencing and receiving affection and love in a strange triangle of relationships typical of a 'modern family', bizarre and reassuring at the same time.