Álvaro Aguiar

Os Trapalhões was a Brazilian comedy group and also a Brazilian television series created by Wilton Franco. Its members were Dedé Santana, Zacarias, Mussum and their leader Didi Mocó, that was played by Renato Aragão. The name Trapalhões is derived from the Portuguese verb atrapalhar, which means the opposite of helping, to do something the wrong way or to Those that confuse. The name is translated "Tramps" in English DVD subtitles. It was aired by Rede Globo from 1977 to 1999. On March 18, 1990, Zacarias died due to respiratory failure, but the group and the series didn't come to an end until July 29, 1994, when Mussum died due to an unsuccessful heart transplant.

Amidst an unresolved crime, Simone protects Cristiano and falls in love with him. However, the couple faces ambition and betrayals that tear them apart. Presumed dead, she returns under a new identity seeking revenge.

The story takes place in a mansion in the Jardim América neighborhood of São Paulo. The lonely Rodrigo, a wealthy man from Rio Grande do Sul, lives with seven ambitious women who plan to swindle him out of his fortune: the flight attendants Regina and Cláudia, the showgirl Ciça, Madalena, Dulce, Dinorah, and the manicurist Suzete.

O Bem-Amado is a Brazilian telenovela that first aired on Rede Globo in 1973. It is based on a play by Dias Gomes called Odorico, o Bem-Amado ou Os Mistérios do Amor e da Morte, written in 1962. It was the first Brazilian color telenovela. It was shot in Rio de Janeiro. Broadcast by Rede Globo between January 22 and October 3, 1973.

Cecília is in love with Eduardo, a millionaire who doesn't care about their relationship. Ready for a new direction in life, she ends the relationship and goes to work as a flight attendant in New York. Later, she returns to win back her love, but things are not the same anymore.

Amidst an unresolved crime, Simone protects Cristiano and falls in love with him. However, the couple faces ambition and betrayals that tear them apart. Presumed dead, she returns under a new identity seeking revenge.

Portuguese television version of the jekyll and hyde story from 1972.

Based on true events in Rio de Janeiro, in 1960, when a gang having the infamous outlaw Tião Medonho as a leader performed a sensational railroad hold-up on a train carrying a small fortune.

Portuguese singer falls in love with a blind Brazilian girl.

Singer Laura Monteiro (Montiel) is murdered by her old protector João Fernandes de Oliveira (Giachetti), who has found out her love affair with Assis (Carlos Alberto). Favela-girl Belén (also Montiel) is the look-alike who takes her place, unaware she is being used by a gang that smuggles precious stones sewn in Carnival costumes. Written by fabreu

A veteran popular singer remembers her early days before fame as a humble woman who faced many obstacles in order to achieve fame, notoriety and make her dreams come true. Her life, the songs, the men she knew and helped her on her ladder to success all have a big influence on her life.

In Minas Gerais, the powerful "colonel" Alexandrão gets married with the young and virgin Cristina and promotes a huge wedding party in his farm. He eats and drinks a lot along the day, but in his "first night" with the bride, he dies before consummating his marriage. The marital status of Cristina becomes very unusual, being a virgin widow. Her doctor advises her to travel to Rio de Janeiro to rest, and she moves with her aunt to an inherited apartment in Leme. Once in Rio de Janeiro, the rascal Constantino, who is aware of her wealth, courts her and borrows money, clothes and a Mercedes Benz from his friends, pretending he is businessman man. His friends release "stocks" in a parallel stock market, based and supported in the expectation of the possible marriage of Constantino with Cristina. However, the ghost of Coronel Alexandrão appears for her whenever she intends to have sex with Constantino.

Henrique Casanova is an expert in Egyptian history. A strict father, dedicated researcher and obedient husband, he is admired by people. But, when he travels for work, he takes the opportunity to win over beautiful women.

A shockingly irreverent follow-up to the rural austerity of Barren Lives, dos Santos’ Godardian social satire owes more than a nod to the self-conscious antics of the French New Wave. The pampered son of a general, El Justicero is a hipster playboy who fancies himself a James Bond/Jean Paul Sartre urban hero. “Archetypical” yet “full of contradictions,” he sees that justice is achieved for the disadvantaged while taking advantage of certain bourgeois perks. His exploits are closely followed and eventually directed by his biographer who decides a film is not only more lucrative than a book, but it gives him the luxury of reviewing previous scenes. Unlike Bond, El Jus eventually experiences an awakening which threatens to compromise the entertainment value and glamour of his life story. - Harvard Film Archive

Wealthy banker Antônio witnesses the murder of a journalist, who got killed for exposing the activities of a gang of smugglers. After they find out about him, Antônio and his wife are both targeted and pursued by the criminals.

Old couple are being evicted and turn to their five children for help. Since no one can accommodate the two of them, the children decide to separate the couple.

After the success of the first Brazilian space mission, a scientist intends to accomplish an even more audacious feat. His goal is to launch into space the Nationalist rocket II, this time taking two humans to the moon.

The drama feature film depicts the dangers present in the daily lives of civil aviators.