Woodrow Wilson

A young American soldier, rendered in pseudocoma from an artillery shell from WWI, recalls his life leading up to that point.

Former corporate whiz kid Robert McNamara was the controversial Secretary of Defense in the Kennedy and Johnson administrations, during the height of the Vietnam War. Augmented by archival footage and cabinet conversation recordings, Errol Morris gives the conflicted McNamara a platform on which he attempts to confront his and the U.S. government's actions in Southeast Asia in light of the horrors of modern warfare, the end of ideology and the punitive judgment of history.

A portrait of John Grierson, the first Canadian Government Film Commissioner and founder of the National Film Board in 1939. Interweaving archival footage, interviews with people who knew him and footage of Grierson himself, this film is a sensitive and informative portrait of a dynamic man of vision. Grierson believed that the filmmaker had a social responsibility, and that film could help a society realize democratic ideals. His absolute faith in the value of capturing the drama of everyday life was to influence generations of filmmakers all over the world. In fact, he coined the term 'documentary film'.

An account of the last two centuries of the Anthropocene, the Age of Man. How human beings have progressed so much in such a short time through war and the selfish interests of a few, belligerent politicians and captains of industry, damaging the welfare of the majority of mankind, impoverishing the weakest, greedily devouring the limited resources of the Earth.

Commissioned to prepare Allied troops for the liberation of Europe, the film uses a blend of staged narratives and historical footage to promote solidarity and dispel the myth that France was a nation of willing collaborators.

Before the G, PG and R ratings system there was the Production Code, and before that there was, well, nothing. This eye-opening documentary examines the rampant sexuality of early Hollywood through movie clips and reminiscences by stars of the era. Gloria Swanson, Mary Pickford, Marlene Dietrich and others relate tales of the artistic freedom that led to the draconian Production Code, which governed content from 1934 to 1968. Diane Lane narrates.

An examination of the United States’ involvement in war, focusing on its impact on political decisions, national identity, and the lives of its people.

A gifted orator, Woodrow Wilson was supremely confident before crowds, yet uneasy in small groups. An intellectual with inflexible moral principles, he led America into World War I, threatening all that he cherished. This film recalls the transformation of a history professor into one of America's greatest presidents, brought down by his stubborn search for peace and an incapacitating stroke.

Traces the origins and actions of World War I, from the funeral of Britain's King Edward VII to the Versailles Treaty.

How can the masses be controlled? Apparently, the American publicist Edward L. Bernays (1891-1995), a pioneer in the field of propaganda and public relations, knew the answer to such a key question. The amazing story of the master of manipulation and the creation of the engineering of consent; a frightening true story about advertising, lies and charlatans.

The history of a Polish family and its contributions to the war effort throughout American history.

The evils of alcohol before and during prohibition become evident as we see its effects on the rich Chilcote family and the hard working Tarleton family.

A documentary about the threat of war breaking out in Europe, focusing on Hitler, Stalin and Mussolini.

Cautionary documentary warning of the perils of Communism and nuclear war, forcefully written and narrated by Quentin Reynolds, it was one of the earliest to depict Communism as an immediate threat to "peace, democracy and security."

The story of how Aurora Mardiganian (1901-94), a survivor of the Armenian genocide perpetrated by the Ottoman Empire (1915-17), became a Hollywood silent film star.

Using newsreel footage, this film reviews world events from the end of World War I to the American entry into World War II and, according to the narration, shows "how, through their disunity, democracies were led, some to destruction and others to the verge of destruction."]

When the nation of Ruthania declares war on the United States, an army of enemy soldiers invades the U.S. and captures New York. But the American forces have prepared adequately for such an event, and hidden booby traps, trick fortifications, and remote-controlled bombs...

Feature-length compilation of 1920s newsreel footage, with commentary about news, sports, lifestyles, and historical figures.

Originally called World '68, later retitled The World of Today Romm’s film was conceived as an impassioned, large-scale essay on the origins of the 20th century and the subsequent reality the disappointed director felt slipping away from him. The film itself slipped away from him and was left unfinished at the time of his death. His younger colleagues, Marlen Khutsiev, Elem Klimov and German Lavrov, completed the film from the elements he left behind in addition to segments from Ordinary Fascism, closing the film with Romm’s ultimately optimistic outlook: "And still I believe that man is sensible..."

A film produced and distributed by the US Army Signal Corps during World War I to inform and "educate" the US population about the reasons for fighting the war. Featured are scenes with Gen. John Pershing, commander of US forces in Europe, and views of US soldiers in combat and resting up between battles.

An immersive 360-degree narrative telling the epic story of the Vietnam War as it has never before been told on film. Featuring testimony from nearly 80 witnesses, including many Americans who fought in the war and others who opposed it, as well as Vietnamese combatants and civilians from both the winning and losing sides.

A 1980 documentary series exploring the establishment and development of the Hollywood studios and its impact on 1920s culture.

Colorized historical footage in ascending order of World War 1. Not only the relatively known Flanders and France battles, but also the generally unknown Italian-Austrian, German-Polish-Russian, Japanese-German, Ottoman Empire- Allied and African German Colonies, and other unknown or forgotten fronts and battles.