Natsuko Kawaji

Anne Shirley, an orphan, is fostered by farmer Matthew Cuthbert and his sister Marilla, who were expecting a boy to be sent them to help with their farm work. They accept Anne, who quickly endears herself to them and to the local villagers.

Tom Sawyer is a young boy growing up along the Mississippi River in the mid 1800s. Along with his best friend Huckleberry Finn, he spends his days ditching school, fishing, climbing trees and having adventures.

After becoming an orphan, Heidi is forced to live with her grandfather, who lives in the Alps. She learns he's a very bitter man who only accepted by force to take her in. But Heidi's kindness may be able to open his heart. Together with her friends Peter and Clara, she goes on lots of adventures.

The King of the Flower Planet is dying, but his heir can't take up the throne until the legendary Seven Color Flower, symbol of the King's power, is found. The Angels Cateau and Noveau are sent to Earth to find the Flower Girl, a young female who descends from both humans and Flower Angels (who once inhabited Earth, long ago) - and they find Lunlun in France. They convince her to go in a long journey to find the Flower - she'll know the good and bad sides of humans and Flower Angels (incarnated in the ambitious Togenishia and her sidekick Boris), and will fall in love with Serge Flora, a man who holds a great secret.

Heidi (1974) Japanese anime series by Zuiyo Eizo (now Nippon Animation) based on the Swiss novel Heidi's Years of Wandering and Learning by Johanna Spyri (1880). It was directed by Isao Takahata A feature-length film Heidi in the Mountains, aka The Story of Heidi, was edited from the series by Zuiyo (which by then was a separate entity from Nippon Animation, which employed many of the TV series' animation staff) distributed in 1979. All cast were replaced excluding Heidi and the grandfather. This movie is also the only incarnation of the Heidi anime to have been released commercially in the United States in English (on home video in the 1980s). Isao Takahata remarked "Neither Hayao Miyazaki nor I are completely related to any shortening version" on this work.

About the struggles of day labourers to achieve dignity and a standard of living above the starvation level. Utilising the Zenshinza theatrical troupe.