Naomi Kawashima

Ikuko is a mature, reserved Kyoto woman married for many years to a respectable, now-middle-aged man. The only problem in their relationship has been that her husband is dissatisfied with her lack of passion during lovemaking. All this changes after they meet the young Mr. Kimura

When beautiful Japanese actress Ryoko Shimura (Naomi Kawashima) travels to Los Angeles to visit a friend, she finds herself caught in a bizarre love triangle. Believing she's the reincarnation of his murdered lover, a disturbed man (Josh Brauer) kidnaps Ryoko. Meanwhile, the cop (Billy Drago) assigned to the case also had ties to the dead woman. Joe Ho, Alan Charof and Jennifer Fujii co-star in this offbeat psychosexual thriller.

The seventh movie of the series “Yakuza Ladies” focuses on a wife of a small Osaka family. She risks her life to protect her husband’s family and its members against much larger, more established organizations.

Film adaptation of the erotic romance novel by Iwai Shimako, author of Too Scary, starring Kawashima Naomi. Kawashima returns to the big screen for the first time since her appearance in Maitresse 13 years ago, and delivers an intense performance of a heroine burning with sexual desire. She nails the passionate sex scenes. Maiko (Kawashima) visits Bangkok to get away from work and love, and meets Korean Muay Thai boxer Ha-Neul (Yi Te-Gang). Mutual attraction trumps language barriers as the couple buries their loneliness in all-consuming lust.

Japanese film directed by Jinsei Tsuji.

Yoko Sakaki: 24 years old. Occupation: Ghost Negotiator. With her tomboyish attitude and severely bad mouth, she helps ghosts leave this world by shouting at them. But, that work is almost done - she and her boyfriend Toshio are about to get married, and their dream is to open a tofu shop together. However, she has kept her profession a secret from him, instead telling him she is a flight attendant... While out with him one night, Yoko gets a call from work telling her that a ghost has appeared in Hachioji... She goes to bust the ghost with her unreliable new partner, Yanagida, but can she hold on to her relationship at the same time?

Not to be confused with the 1995 theatrical film directed by Shûji Kataoka. In "Female Prisoner Punisher Maria," a wronged woman transforms into a fierce avenger within the confines of a brutal women's prison. Amidst betrayal and violence, she unleashes revenge on those who wronged her, blending grit with empowerment in a harrowing journey.

Mariko is a forensic scientist working at the Kyoto PD Crime Lab. Her credo is “science never lies” and she delves into the truth of the case with her colleagues with their specialized skills and knowledge in forensic medicine, physics, chemistry etc. Mariko’s steadfast belief in science makes her stand against conventional institutional ethics of the police department, diehard detectives averse to scientific investigation and sometimes even with her own colleagues, but she stays faithful to her belief in science and continues to pursue the truth.

The story follows Minamida Nozomi, the charming female protagonist whose company's performance deteriorates due to the collapse of the bubble economy and who is forced to quit her job as she is prevented from getting married and starting a family. However, after her younger brother is involved in a theft incident within her family, she decides to become a lawyer. She passed the difficult bar exam and faced the harsh reality of legal training in Fukushima.

A comical look at the Japanese legal system. Big corporate law firm seeking to increase their profit margin notices that a lot of the partners spend a lot of their time on cases which don't bring in a lot of revenue. They decide they need to hire an average lawyer, at a minimal salary, that will take care of these small cases and not complain. That's why the law firm hires Hanamura Daisuke (Yusuke Santamaria)...to handle these minor cases. Daisuke's approach to the law is very unique and the way he handles each case is very entertaining

"Don't pity me, just give me money." A smart little girl, Suzu, for the sake of her beloved sick mother, has no choice but to attempt all ways to fork up the money required for the operation. It includes stealing, cheating and almost anything that could yield cash. However, deep within her is a sadness unseen by many. --Snowflakes (source: dramawiki) It received the 1st Television Drama Academy Awards (1994-06-22)for Best Drama and Best Theme Song and also received a Special Award. It was the highest rated NTV drama of 1990s, with average viewership rating around 24,7%.

Iguana Girl is a manga by Moto Hagio published in Petit Flower. It was adapted into a television drama in 1996. It is about a young girl, Rika, whose mother views her as being ugly, and favours her other daughter, Mami. Rika thinks of herself as ugly and as an iguana, but after her mother's death, realises that her mother was also an ugly iguana. Iguana Girl reflects Hagio's own relationship with her mother, and it took her "years to write this story". Hagio saw an iguana in a documentary on television and identified with it, feeling it was "lamenting its failure to become a human, just like me".

A Proud "man of the house", Yamamura Kazuyuki is the bread winner in a society where men bring home the money. He is a tv commercial director and makes good money to support his wife and son. After recently buying a house, he finds his new neighbor is a stay at home dad. Finding it hard to respect a man who isn't the money maker, he finds the tables are turned as he himself is out of work and running the household, while his wife returns to the workforce. It isn't quite as easy as he keeps telling everyone, but that's okay since he is looking for a new job and should have one soon.It is a look at how society is changing with often times, hilarious results. Struggling to keep his head above water, he finds himself being tutored by his neighbor (even if he doesn't want to be), and at the same time building a friendship.Through trials and tribulations, he learns to respect his new role, while giving credit to the women (and men) who are the ones staying home and keeping home-life afloat.

This is a light-hearted, typical high-school "girl-has-crush-on-boy" type of drama. The main character, Otonashi Karen, was only used to gazing at her crush from a distance, until one day she misinterpreted his line while eavesdropping, turning her usual, timid self into a fancy "Barbie-doll" to attract his attention. The guy, of course, found her ridiculous and unbearable. Nevertheless, this drama traces the "fairy-tale-like" yet somehow sweet process of Karen's devotion to this guy. Each and every episode also shows how Karen's enthusiasm momentarily melts his heart, leaving him smiling with pure amusement, which indicates his growing fondness towards her.