Rachael Maza Long

A tender story from Australia highlights the realistic ups and downs of an Australian family in the year following a parent's emergency medical procedure.

Lewis, a young amateur theater director, is offered a job with a governmental program for the rehabilitation of mentally ill patients in a Sydney institution. His project is overrun by one of the patients, who wants to stage the opera Cosi Fan Tutte by Mozart, despite the fact that none of the patients can sing or speak Italian. A comedy of errors ensues, but one which unifies the patients and their director in unexpected ways.

For forty years Lilian Singer has been locked up in a 'loony bin' by her father. Her release is eventually secured by her eccentric Aunt Kitty and her brother, John. Lilian starts to carve out a place for herself. As she explores Sydney and the people who live and work around her she sees others looking for love. Lilian shows us it is never too late to change your life and that even unusual choices can bring contentment.

Sixteen-year-old Mars wants more from her life than just a fistful of flies which, to her, is a fistful of nothing. Stifled and dominated by her family, Mars just wants to be free. Denied relationships with the people who truly understand her, Mars battles her family on her own, and in her quest to be treated as a grown-up she gives her mother the courage to act and forces her father to make the choice of his life. A story about how a young girl finally finds the courage to have faith in herself.

The Tasmanian Tiger twists and turns depending on how it's seen. Sheep-killing beast or tragic victim of human induced extinction. Ancient painting on a rock or vivid ancestor spirit. Lost forever, or a timely reminder to respect the connection between human and animal, culture, nature and country. In stunning landscapes across Australia where Thylacines once roamed, people from wide-ranging traditions share their experiences: First Nations artists, rangers and custodians; biologists, bone hunters and archaeologists. Multiple insights combine to throw light on Australia's most wanted animal.

Looking Black explores the impact of Indigenous storytelling at the ABC, and how it has created deep and honest conversations about the experience of First Nations journalists, storytellers, and presenters.

When eldest sister Cressy, middle daughter Mae and the young Nona are reunited for the first time in years it doesn’t take long for the sparks to fly. Painful memories and secrets are revealed and put into a life-changing perspective in one unforgettable night.

Bea Smith is locked up while awaiting trial for the attempted murder of her husband and must learn how life works in prison. A modern adaptation and sequel of the iconic Prisoner series.

A high-stakes Aussie police drama following the lives of Melbourne’s finest girls and boys in blue – members of a prestigious Tactical Response team.

Good News Week was an Australian satirical panel game show hosted by Paul McDermott that aired from 19 April 1996 to 27 May 2000, and 11 February 2008 to 28 April 2012. The show's initial run aired on ABC until being bought by Network Ten in 1999. The show was revived for its second run when the 2007–2008 Writers Guild of America strike caused many of Network Ten's imported US programmes to cease production. Good News Week drew its comedy and satire from recent news stories, political figures, media organisations, and often, aspects of the show itself. The show opened with a monologue by McDermott relating to recent headlines, after which two teams of three panellists competed in recurring segments to gain points. The show has spawned three short-lived spin-off series, the ABC's Good News Weekend, Ten's GNW Night Lite and Ten's skit-based Good News World.

Halifax f.p. is an Australian television crime series produced by Nine Network from 1994 to 2002. The series stars Rebecca Gibney as Doctor Jane Halifax, a forensic psychiatrist investigating cases involving the mental state of suspects or victims. The series is set in Melbourne. The producers of the film were Beyond Simpson Le Mesurier; Australian Film Finance Corporation and aired on the Nine Network Australia Pty Ltd 21 Episodes of 90 and 102 minutes each were produced, and the series has screened in more than 60 countries. The budget for each episode was an average of $1.3 million. Funding came in part from the Australian Film Finance Corporation and Film Victoria.

A shy teen wants desperately to fit in and enjoy his high school years if only his dead best friend and a posse of rotting ghouls would stop sabotaging him at every turn.