Karen van Parijs

'De Kotmadam' was a classic Flemish comedy television series, that aired from 1991 to 2024, meaning the show is the longest running Belgian sitcom in terms of time and amounts of episodes and seasons. The series revolves around Jeanne Piens, who owns a small sweet shop in the centre of Leuven and rents out several rooms of her house to students studying in the city. She is a caring type and loves all her students. Her husband Jef Liefooghe works for the city's gardening department. Except for the last season, their friend Odilon Bonheur, a naïve warden in the local prison, visits regularly to give or seek help.

Witse is a Dutch language crime drama produced by Belgian broadcaster VRT and broadcast on their één channel. It is also shown on BVN. First broadcast in 2004, as of 2010 the programme comprises eight series with a ninth and final series planned for 2012. It stars Hubert Damen as the eponymous Witse, a driven inspector in the Belgian federal police based in Halle. It is one of the most popular Flemish television programmes with some 1.6 million viewers. There are also Witse books. The first three were based on the last two episodes of each season, but since 2010 every six months a brand new story is published, written and invented by established Belgian writers, as Bob Van Laerhoven and Bart Van Lierde. The music for Witse is composed by Steve Willaert.

Isabelle Rombauts is unexpectedly appointed CEO of the family business Rombauts Pharma, an important player on the international pharmaceutical market. She soon encounters the consequences of serious mismanagement by her father and brother. And she is faced with a devilish dilemma: should she follow her own conscience? Or the interests of her influential family?

Verschoten & Zoon was a 1999 Belgian comedy TV series. It was directed by Wim Feyaerts and written by Bart Cooreman.

Guy Moeyaert is a well-meaning colonial official in a jungle district of the Belgian Congo in the last years of white colonial rule, after the Second World War, a paternalistic system where the state, unable to be properly present all over the vast, sparsely populated country, collaborates systematically with the Roman Catholic missions -in his post, father Alexis- and private enterprise, in case mainly the mining company -locally represented by engineer Lenaers- which also helps out with money and labor for such public tasks as road building. Even his grip on the natives is weak, as they live under hereditary tribal leaders, which must take from its people what they are legally obliged to deliver to the state in taxes and labor; coercion is done by force, including whipping on the bare buttocks, which Guy hates. Guy also starts a love affair with Hélène Vermarcke, who gets estranged from her husband Luk (the three were already friends in Belgium) as he devotes all his efforts the their plantation, leaving her alone with the native staff and their son, or is it Guy's? The adultery makes his position in the white community far weaker then is compatible with his position of theoretical authority without sufficient independent means. He also depends heavily on his educated black clerk Gabriel Ndazaru and ambitious white deputy Arthur. It all gets worse for everybody as the call for 'dipenda', black independence as in Ghana, gets stronger, in time even accepted 'in principle' by the Belgian government which plans a gradual transition which the idealist Guy supports but all other whites oppose, while the natives have neither patience nor insight and start attacking every symbol of the old regime, regardless of its objective value, and soon white people and 'collaborators' too- it gets physically dangerous, but Guy won't budge or flee...

RIP was about the funeral company Vingerhoets. This business is losing its paterfamilias and boss. The widow Victorine Vingerhoets and her nephew, Willie Haezevoets, who live at home, have to take over the business and keep it going. Willie is patronized as a son and doesn't feel like going through life as an undertaker because he is desperately looking for a wife. The input of friend of the house Raymond van Derre (also known as Raymondke) often ensured that things never went the way they should.

The movie follows the turbulent life of Wortel, a deeply devout yet flawed Flemish farmer at the turn of the 20th century. Wortel has an intense bond with his land, but his life is defined by a relentless series of tragic hardships.Throughout his journey, Wortel faces the loss of multiple children, the suicide of his son, and the heartbreaking deaths of his wives, Fien and Frisine. Despite these devastating misfortunes, he is constantly urged by the local village priest to accept this suffering as part of God's grand plan. Mixing heavy melodrama with moments of dark, bittersweet humor, the film portrays Wortel’s fierce survival instinct, human weaknesses, and ultimate search for solace through his faith and hard labor.

Three 'Bukowskian' torrid nights in the life of a man, Harry, in search of love. The first is as a youth, the second on the day of his high school graduation, and the third as a lonely, middle-aged man.

This melodramatic film follows Eline Vere, as she attempts to break free from the confines of her narrow existence in The Hague through three tumultuous and ultimately disastrous courtships. Adaptation of Louis Couperus' novel Eline Vere.

Herman and Marie, a couple in their fifties, arrive in Istanbul to pick up the luggage of their deceased son. In his backpack. Herman discovers a logbook of their son's trip through Turkey. Herman decides to reconstruct his son's last journey, to see what he has seen. He drags along his wife into a, what he believes to be, cathartic venture.