Anthony Laciura

When a workaholic young executive is left at the altar, she ends up on her Caribbean honeymoon cruise with the last person she ever expected: her estranged and equally workaholic father. The two depart as strangers, but over the course of a few hilarious adventures, a couple of umbrella-clad cocktails and a whole lot of soul-searching, they return with a renewed appreciation for family and life.

Left broke and homeless by his wealthy parents' divorce, a young man moves in with an old friend and finally meets the woman of his dreams -- only to discover she's already dating his friend.

Leonora plans to elope with Don Alvaro, but he accidentally shoots and kills her father, who curses them as he dies. The lovers go on the run, but get separated. Bent on revenge, Leonora's brother Don Carlo, hunts them down. Verdi painted an immense canvas with this dark but tuneful opera, vividly brought to life in John Dexter’s production, with sets by the great Eugene Berman. The legendary Leontyne Price is seen in one of her greatest roles, Leonora. Price’s soaring voice encompasses every nuance of Leonora’s emotion as she moves from joy through resignation to ultimate heartbreak. James Levine’s brilliant leading of the Met orchestra and chorus is a lesson in Verdi style. Giuseppe Giacomini is Alvaro, the man Leonora loves, and Leo Nucci is Don Carlo, the dark instrument of their Fate.

Jessye Norman is a regal Ariadne, the mythological Greek heroine in this opera-within-an-opera, opposite the passionate Bacchus of the great James King. Kathleen Battle delivers the coloratura fireworks of Zerbinetta, the leader of a commedia dell’arte troupe that finds itself stranded on Ariadne’s island. Tatiana Troyanos and Franz Ferdinand Nentwig star as the young Composer and the Music Master in the opera’s prologue. James Levine brings out all the color and charm of Strauss’s brilliant chamber-sized score with its equal amounts of pathos and humor. Bodo Igesz’s production features sets by esteemed designer Oliver Messel.

The Met assembled a vocal dream team for Jonathan Miller’s stylish production of the eternal Mozart masterpiece: Renée Fleming as the Countess, Cecilia Bartoli as Susanna, and Bryn Terfel as Figaro. With James Levine—one of the world’s great conductors of Mozart—in the pit, Bartoli interpolating two rarely heard alternate arias, and Dwayne Croft as the Count and Susanne Mentzer as Cherubino, this is a performance for the record books.

The Franco Zeffirelli production of Puccini's "Turandot", recorded live at the Metropolitan Opera in April, 1987. Éva Marton stars as Turandot, with Plácido Domingo as Calaf, Leona Mitchell as Liù, Paul Plishka as Timur, and Hugues Cuenod as L'Imperatore Altoum. James Levine conducts.

Otto Schenk’s brilliant production captures both the dark romanticism of the story as well as its fairy-tale magic. It is a superb setting for Neil Shicoff’s vivid portrayal of the tortured poet Hoffmann, as he recounts the loves of his life and the way he has been foiled by his nemesis—a marvelous James Morris in a tour-de-force performance of the opera’s four villains. Gwendolyn Bradley is the doll Olympia, Tatiana Troyanos sings the courtesan Giulietta, and Roberta Alexander portrays the innocent Antonia.

This all-star cast is framed by Peter Hall’s gritty, realistic production and conducted by James Levine, who brings out all the surging emotion and gripping drama in Bizet’s score. At the center of the story is Agnes Baltsa, whose smoky mezzo is tailor-made for the gypsy Carmen, an independent woman who glories in obeying only her own rules, but who is haunted by fate. Superstar tenor José Carreras is Don José, the solider from a small town who catches Carmen’s eye and is destroyed by his growing obsession with her. Samuel Ramey is the charismatic matador Escamillo, who lures Carmen away from Don José with tragic result. Leona Mitchell is Micaëla, the simple girl from Don José’s hometown who cannot save him. March 21, 1987 Matinee Broadcast.

Live performance from the Metropolitan Opera, 31 December 1986.

Live Metropolitan Opera performance March, 1985.

Live performance at the Metropolitan Opera, 1984. James Levine conducting Metropolitan Opera Orchestra and Chorus. Stage direction by Piero Faggioni.

Alicia Florrick boldly assumes full responsibility for her family and re-enters the workforce after her husband's very public sex and political corruption scandal lands him in jail.

The detectives of the Organized Crime Control Bureau work to dismantle New York City's most vicious and violent illegal enterprises.

A young programmer, Elliot, suffers from a debilitating anti-social disorder and decides that he can only connect to people by hacking them. He wields his skills as a weapon to protect the people that he cares about. Elliot finds himself in the intersection between a cybersecurity firm he works for and the underworld organizations that are recruiting him to bring down corporate America.

Atlantic City at the dawn of Prohibition is a place where the rules don't apply. And the man who runs things -- legally and otherwise -- is the town's treasurer, Enoch "Nucky" Thompson, who is equal parts politician and gangster.