Simon Treves

The adventures of the last human alive and his friends, stranded three million years into deep space on the mining ship Red Dwarf.

London police detectives Cassie Stuart and Sunny Khan investigate historic cold cases involving missing persons, murder and long-hidden secrets.

Jeeves and Wooster is a British comedy-drama series adapted by Clive Exton from P.G. Wodehouse's "Jeeves" stories. It aired on the ITV network from 1990 to 1993, starring Hugh Laurie as Bertie Wooster, a young gentleman with a "distinctive blend of airy nonchalance and refined gormlessness", and Stephen Fry as Jeeves, his improbably well-informed and talented valet. Wooster is a bachelor, a minor aristocrat and member of the idle rich. He and his friends, who are mainly members of The Drones Club, are extricated from all manner of societal misadventures by the indispensable valet, Jeeves. The stories are set in the United Kingdom and the United States in the 1930s.

Above Suspicion is a British crime drama programme starring Kelly Reilly as Anna Travis, a rookie detective determined to prove herself in the male-dominated police department by solving a trail of gruesome murders left by an unknown serial killer. Each series is based on a novel by Lynda La Plante: Above Suspicion (2009), The Red Dahlia (2010), Deadly Intent (2011), and Silent Scream (2012).

As a child, Kate Ashby was rescued from the horrific aftermath of the Rwandan genocide and brought to the UK. But the tragic shadow of her past proves impossible to escape.

A traumatized woman falls in love with an extraordinary minimalist house, which remains under the spell of the architect who originally designed it, but everything may not be as it seems.

Whip-smart general practitioner Dr. Mona Harcourt lives in London with her political lobbyist husband Guy and her family. When a bomb goes off in London on the same day that her brother, Dr. Kareem Shirani, is abducted in Pakistan, Mona's charmed life is shaken to its core.

Inside the halls of power, Boris Johnson grapples with Covid-19, Brexit, and a controversial personal and political life during his tumultuous first months as Prime Minister.

Bodily Harm is a two-part British miniseries written by Tony Grounds, and produced by Tiger Aspect Productions for Channel 4. Airing in June 2002, it stars Timothy Spall, Lesley Manville, Annette Crosbie, and George Cole. On the eve of his 44th birthday, mild-mannered suburban stockbroker Mitchel Greenfield spirals out of control after losing his job, finding his wife in flagrante with a sleazy neighbour, and discovering his father is dying of cancer.

Mary traces the lives of a woman caught in a scandal of adultery, another rejected and ignored because of her promiscuity, a third shunned because of a shameful condition, and a widow cast out from society, mourning the loss of her only son.

Robert Ross (Brent Carver) lives a protected adolescence in a well-off Toronto suburb. Secretive and withdrawn, he shares his thoughts only with his sister Rowena (Anne-Marie MacDonald) who is mentally disabled. He feels compassion for his weak and conventional father. He avoids any confrontation with his mother (Martha Henry), a dominating woman whose despondency at having given birth to a handicapped child has turned to bitterness. Rowena occupies a central position in Robert's existence of daydreams and make-believe. When she dies, Robert clashes openly with his family, and decides to take himself in hand. It's 1914. He enrolls in the Canadian army, and, after training in Alberta and Montreal, he finds himself in England and France. The war becomes another way for him to resolve his conflicts, his dramas, his passions--his wars.

In a foreign port two boys come to a fisherman saying they are refugees from a country where a military take-over has organised a gigantic League of Youth.

A shy Portuguese poet and an exuberant English occultist meet up in Lisbon in 1930. When the last one disappears, an English detective begins a thorough investigation: was it a suicide, as reported. Or a homicide? This is the real story of the brief meeting between Fernando Pessoa, Aleister Crowley, and Hanni Larissa Jaeger.