Daniel Abineri

ITV Playhouse is a British comedy-drama TV series that ran from 1967 to 1983, which featured contributions from playwrights such as Dennis Potter, Rhys Adrian and Alan Sharp. The series began in black and white, but was later shot in colour and was produced by various companies for the ITV network, a format that would inspire Dramarama. Actors appearing in the series included Leslie Anderson, Gwen Nelson, Ricky Alleyne, Pat Heywood, Michael Elphick, Ian Hendry, Edward Woodward, Margaret Lockwood, Jessie Matthews and Lloyd Peters.

World War II drama about covert organisation Lifeline helping allied airmen escape after being shot down in occupied Europe, working with the Resistance and hiding from the Gestapo.

Rich but insecure heiress Stephanie Harper believes she's found true love with tennis pro Greg Marsden, but after the nuptials, Greg promptly begins an affair with Stephanie’s best friend, Jilly Stewart. Whilst on their honeymoon, Greg pushes Stephanie into a crocodile-infested swamp, and he and Jilly watch as she is apparently mauled to death. However, Stephanie miraculously survives and travels to an island clinic where she undergoes extensive plastic surgery. Using her new identity, Tara Welles, and fortune, she plots revenge on Greg and Jilly, aiming to take back what's rightfully hers.

Residents of a sheltered accommodation block run by a warden go about their business.

Bless Me Father is a British sitcom starring Arthur Lowe, Daniel Abineri, Gabrielle Daye, Patrick McAlinney, David Ryall, Derek Francis and Sheila Keith. It was aired on ITV from 1978 until 1981 and described the adventures of an Irish Catholic priest, Father Charles Duddleswell and his young curate in the fictional parish of St. Jude's in suburban London. 21 episodes, written by Peter De Rosa, were aired. De Rosa wrote the books on which the series was based using the pseudonym of Neil Boyd which was also the name of the young curate character; Boyd also served as the narrator in the series of novels upon which the series was based. It was made for the ITV network by London Weekend Television. The series was set in 1950 and 1951 and marked a departure from the middle class 'bank manager' roles associated with Lowe such as that in Dad's Army. The other regular characters included Mrs Pring, the housekeeper, the hard-drinking Dr Daley, the non-religious neighbour Billy Buzzle, and abbess Reverend Mother Stephen.

King Cinder is a six-part British children's television serial made by the BBC in 1977. It was first shown between 2 November and 7 December 1977 on BBC1. A gritty series, King Cinder by John Foster, pitches two teenagers, played by Peter Duncan a speedway bike rider and Lesley Manville his girlfriend against a criminal gang running an extortion racket run by nasty Todd Edwards and Hells Angel Daniel Abineri in a South Coast fictional seaside town called Barton. Possibly one of the best final chase scenes on children's British television in the 1970s where Edwards driving a red Austin Maxi chases a running Kerry through a quarry only to see Edwards crash over a cliff. The executive producer was Anna Home.

Brit Cops is a British reality television series following the work of police officers in the UK. It was first broadcast on Bravo. Since the closing of Bravo on 1 January 2011, older episodes were shown on Channel One until the channel closed down on 1 February 2011 and Series 5 is continuing on Sky Livingit. For the sixth series the show changed its name to Cop Squad. Each series focuses on different UK police forces. Richard Bacon narrates Series 1, 2 and 3, Simon Allix narrates Series 4, Daniel Abineri narrates Series 5 and Robert Glenister narrates Series 6. The show was produced by Steadfast Television until they went into administration in 2010, Series 6 was produced by October Films. It has replaced Street Crime UK on Bravo and has had the following series:

A documentary strand of programmes reflecting everyday life.

Marla Darland is blessed with the voice of an angel, a singing legend. But when her agent, Marty Starr, finds his agency in trouble, he concocts a sinister plot to bring up her record sales. Amazed at the posthumous record sales of Elvis and Jimi Hendrix, Marty becomes determined to arrange a similar fate for Marla, staging the perfect tragic demise. But he didn't count on Marla not being quite ready to go.

Tribute to the much-loved character actor.

What is the secret behind the success of "Rocky Horror"? Is it the music? The actors? The comedy? It's certainly not the Special Effects. "Rocky Horror" has been around for more than 40 years, and still continues to be successful in the movie theaters as well as on stage. This documentary is highlighting the history of "Rocky Horror", which started off as a two-page script written in crayons, and ended up with two movies, tons of merchandise, millions of fans and world touring shows, grossing more than $500 million in revenue.

Sarah Brown is sent to England after her parents die in a car crash. There, she lives with her aunt Velvet who introduces Sarah to the world of equestrian competition and gives her the last foal of her own prize horse, The Pie. Under the watchful eye of her aunt and horse trainer Capt. Johnson, Sarah develops into a talented rider who might have a shot at the Olympics.

In Occupied France, a cultured civilised German ofi ccer is billeted out and stirs up conflicting emotions in the household.

Short documentary profiling the life of British 'Blonde Bombshell' Diana Dors, who died of cancer in 1984. Movie clips and TV footage are mixed with celebrity interviews, including rare appearances by actor Rod Steiger and veteran director J. Lee Thompson. There is some interesting location work at Dors' lavish Sunningdale mansion and plenty of long-unseen film clips, but the documentary ultimately glosses over her scandalous, and often seedy, life.

An aged art connoisseur (Beaumont) and his young female neighbour (Coles), who has a job posing naked in a club, meet and exist in fantasy and reality. Although this raises certain much-discussed questions about the nature of representation, and about the construction of narrative and daydreams in films, 'Phoelix' tends to treat these as just pretty and pertinent issues, opting instead for a mannered concentration on detail.